Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
1. Come, Ye Thankful People, Come. This hymn by Henry Alford is found in many hymnals, including Cantus Christi . Yet, the last stanza radically contradicts the theological perspective of the historic faith and of the editors of this hymnal. It is a witness to how we tend to bounce…
This series of post were originally published at the Biblical Horizons blog. The entire paper can be downloaded HERE . 7. The Literary Shape of the Covenant As we have seen, there is a succession of covenants in the Bible, each more glorious than the previous, each absorbing and transfiguring…
This series of post were originally published at the Biblical Horizons blog. The entire paper can be downloaded HERE . 6. Covenant Phases in the Bible Thus far we have spoken of only three phases in the history of the one covenant. We must now divide the third phase into…
This series of post were originally published at the Biblical Horizons blog. The entire paper can be downloaded HERE . 5. Priest, King, and Prophet We can begin with the phrase “prophet, priest, and king.” This is the order normally heard from preachers and theologians. But it is not really…
This is a fine hymn by John Mason Neale, based on an ancient Greek church hymn. The opening question is particularly powerful: “Christian, dost thou see them on the holy ground, how the powers of darkness compass thee around?” Yes, the devil strikes in the very church and her worship…
This syrupy piece of marijuana-haze hymnody is found in the hymnals of churches that have substituted sentiment for orthodoxy and worship. Hence you don’t find it in older Presbyterian hymnals, but in the Trinity Hymnal. Nor do you find it in Episcopal and Lutheran hymnals until very recently in some…
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T homas Nagel reviews Daniel Dennett's latest, From Bacteria to Bach and Back , in the NYRB . It's a wild ride. Reality, real reality, is the matter-in-process that science describes, Dennett argues. Dennett is famously, insanely consistent in his materialism. Nagel writes, “Bach’s or Picasso’s creative genius, and our…
C harles Rosen celebrated Chopin's birth in June 2010 with a NYRB essay on the composer. Rosen observed that until the twentieth century, Chopin was often treated as a minor figure: “Chopin’s concentration on the genres of salon music considered trivial—nocturnes, mazurkas, waltzes—placed him among the miniaturists. Critics could not…
I n his history of popular culture in early modern Europe, Peter Burke traces what he describes as the “triumph of Lent” during the 17th and 18th centuries. He refers to Brueghel’s painting, Combat of Carnival and Lent and says, “I am tempted to interpret ‘Carnival,’ who belongs to the…
W illiam Henry Green's 1890 Bibliotecha Sacra essay on “ Primeval Chronology ” has been a touchstone of evangelical biblical scholarship for over a century, its arguments regularly cited or alluded to by scholars dealing with the genealogies of Genesis 5 and 11. In response to skeptical challenges to the…
I n his recently-published Sign and Sacrifice , Rowan Williams notes the continuity between the post-Maccabean theology of martyrdom and the death of Jesus. For intertestamental Jews, as for Romans, death could be noble and triumphant. There's a radical discontinuity too. For Jews (as for Romans), martyrs triumphed because they…
H elmut Kuhn begins his 1941 article on “true tragedy” by noting the chronological proximity of Plato and Sophocles: “When Sophocles died, Plato had just come of age. So the question naturally arises whether the chronological succession is historically significant. Can we discover a line of development leading from Aeschylus…
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