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Church Calendar

The Good Friday Paradise Party

I grew up in the 1950s. This was before the "Sixties" and the democratization, informalization, and general cheapening of the church and her worship. Ministers were Father Donovan, Pastor Eckhart, Reverend MacPherson, Mister (Episcopal) Parker, and Brother Smith. Liturgical speech was high language, sounding kind of like the King James…

by James B. JordanMarch 25, 2016
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Hermeneutics

A Musical Case for Typological Realism, (Part 1)

Metaphor exerts a surprisingly powerful influence within our thinking. Although it is easily dismissed as little more than a figure of speech, when we attend more closely to the ways in which we use it, metaphor’s importance swiftly becomes more apparent. Although many of our metaphors have become quite invisible…

by Alastair RobertsMarch 24, 2016
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Creation

True Science

What is a tree, scientifically speaking? A mere googling gives the following answer: “a woody perennial plant, typically having a single stem or trunk growing to a considerable height and bearing lateral branches at some distance from the ground.” We can increase detail by describing its family, genus, species and…

by Remy WilkinsMarch 22, 2016
fasting
Church Calendar

Food for Thought from Ethiopia

The majority of Western evangelical Christians rarely, if ever, fast as a form of spiritual discipline. In our culture, fasting is more connected with dieting than worship, the other side of our deeply ambiguous fascination with food. Food is everywhere. We eat more than ever before, at greater speed, and…

by Sam BusseyMarch 17, 2016
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Biblical Theology

What is Systematic Typology? – Part Two

A Grammar of Creation An understanding of the visual-musical language of the Bible must begin with Genesis 1. This is fortunate, because when explaining biblical types to academics, as opposed to children, one is repeatedly forced to start from scratch. From birth, a healthy child is attuned to rhythm and…

by Mike BullMarch 15, 2016
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Art

Wall-E and the New Creation

In an inverse Eden, a land laid waste, one works alone tending the trash. There are none like him in all the earth, inquisitive, playful and most drawn to those mysterious, dancing bipedal creatures who lost earth and left it to go wandering the vast wilderness of space. Humans have…

by Remy WilkinsMarch 10, 2016

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Overlapping Structures in Revelation 21-22

James Jordan has suggested that the vision of new Jerusalem (Revelation 21:9-22:5) is arranged as a chiastic recasting of the creation week: A. Day 1: Light in the city, 21:10-11 B. Day 2: Boundaries and measurements of the city, 21:12-17 C. Day 3: Materials of the city, 21:18-21 D. Day…

July 30, 2015

Show & Tell

The verb “show” ( deiknuo ) occurs eight times in Revelation, and the eight uses fall into a neat pattern. Twice at the beginning (1:1; 4:1) and twice at the end (22:6, 8), the verb is used with a generic object. God shows “things which must shortly take place” (1:1;…

July 30, 2015

Musical Bridges

In an essay on “barriers and bridges” in American religion, Stephen Warner emphasizes the role of music in building bridges, forging solidarity without requiring assent to a common set of propositions. He offers a florilegium of quotations from various scholars: “At an emotional level, there is something ‘deeper' about hearing…

July 30, 2015

Keeping Time, Keeping Together

William H. McNeill's Keeping Together in Time explores the role of “emotional bonding through rhythmic muscular movement” in history (52). The significance of the phenomenon occurred to him during military training in 1941: “A sense of pervasive movement in unison is what I recall; more specifically, strange sense of personal…

July 30, 2015

End of the End

The final chapter of the Bible (Revelation 22:6-21) is a rapid series of speeches and dialogues, structured in fourfold parallelism. Each new section introduces a new speaker or speech with some form of “he said.” The speakers move from an angel to Jesus to the Spirit and bride. The chapter…

July 29, 2015

Seven Heads

In a 2007 Bibliotheca Sacra article, Mark Hitchcock examines various theories about the identity of the seven heads of the beast in Revelation 17:9-11. It's been proposed that the number seven is purely symbolic of fulness, and that the heads are not to be identified with any historical characters. Hitchcock's…

July 29, 2015

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