Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
My first title for this series of posts was “Evangelical Sacramental Ecumenism” – not exactly a clickbait title. But those three words, evangelical, sacramental, and ecumenical, say a lot: The centrality of the gospel; a focus on baptism, bread, and wine; and the quest for visible unity among diverse churches.…
I can imagine someone reading the title of this essay and saying to himself, "I have two questions. First, what in the world is “contextualization”?" Second, even before hearing the answer to the first question, he may wonder, "what does baptism have to do with such an awkward and vague…
Deuteronomy 21:18-21 My colleague Ralph Smith has recently written on this passage, here . I entirely agree with Ralph's thrust, which is typological, that the passage is ultimately aimed at the entire nation of Israel itself as the rebellious son. But what I am thinking is from another perspective, perhaps…
In the previous article in this series, I drew attention to the threefold meaning of the Spirit of God descending as a dove on Jesus at His baptism. On a related note, I also argued that 1 Corinthians 6:9-11 and Titus 3:3-7 were parallel passages that addressed the same issues…
The National Anthem protest is misguided. So too the conservative backlash. The Church’s response has been disappointing. I address each in turn. The greatest triumph of the American Civil Rights Movement was its seizing of the moral high ground in American politics. It did so by insisting only on those…
Peter Leithart’s book, The Priesthood of the Plebs: A Theology of Baptism , argues that baptism is parallel to and the fulfillment of the old covenant rite of priestly ordination. But this is not something explicitly stated in the New Testament. Why, then, should we believe it? Leithart shows in…
Showing page 102 of 309
Showing page 8 of 43
Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
Showing page 64 of 2212
Your weekly digest for all things Theopolis.
