Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
It is a well-known movie trope, the sports car drives up, a stiletto-heeled starlet steps out and the camera follows her leg up the prodigious slit of her dress, then it takes in the rest of her figure before settling on her face, usually primed and puckered for some pro-feminist…
The “personalist” understanding of the Trinity, articulated most influentially in the work of John Zizioulas, has fallen on hard times. Recent scholars have attacked Zizioulas’s idea that Cappadocian Trinitarianism represented an ontological revolution, hammering again and again the distinction between divine and human personhood. Michel Barnes’s conclusion is the most…
I sit here in my office and poke around on a keyboard that is not even physically connected to my laptop and characters appear on a screen. I have a phone in my pocket through which I talk to someone around the world, send a text message, and to which…
I want to give a pep talk. Nothing fancy, nothing clever. Jesus makes some astounding promises in Luke 11. I want to clear out the clutter and convince you to believe Him and to act on it. The chapter begins with Jesus praying and teaching His disciples to pray by…
Eleonore Stump in her book Wandering in Darkness invites us to re-read the story of Lazarus (John 11) from Mary’s perspective. Stump argues that the story of Lazarus is a story of Mary, since both Lazarus and Martha are identified by their relationship with Mary. The true ending of the…
In his introduction to The Glory of Kings: A Festschrift in Honor of James B. Jordan , Peter Leithart says this about him: “Jordan is an unclassifiable thinker because he is an unclassifiable person . . . he closes his eyes in ecstasy listening to Messiaen or Rachmaninoff . .…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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