Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
We lost Crimea. That is very clear. Putin proved he was not lying when he said he would place women and children ahead of his soldiers to storm Ukrainian military bases. Russian soldiers did exactly that with women (some who volunteered and some who were forced). Russia now occupies all…
Sound is an indicator of life and energy. “Sound signals the present use of power, since sound must be in active production to exist at all.” Things don’t have to be alive to make themselves visible, and “a primitive hunter can see, feel, smell, and taste an elephant when the…
In the most famous section of his best-known novel, Dostoevsky’s Ivan Karamazov brings forward his case against God. He opens with a horrific litany of outrages against children. Turkish soldiers make a baby laugh and then shoot a pistol into his face. A little girl is beaten, thrashed, kicked by…
At the heart of Esther Lightcap Meek's splendid Little Manual for Knowing is a concept she picked up from Michael Polanyi, "subsidiary-focal integration." The concept begins from the insight that all our knowing, all our experience, is double. We focus on something, but we are capable of "indwelling" that focal…
Jesus promises the overcomers of Pergamum "hidden manna" and a "white stone." The hidden manna is often linked with the manna stashed away in the ark of the covenant. The white stone has proved more elusive. Exodus tells us that manna was white (Exodus 16:31) and like bdellium (Numbers 11:7),…
Leviticus 23 begins with a reference to “Yahweh’s appointed times” ( mo’ade-YHWH ). Mo’ed is the common term for the feasts of Israel. A few dimensions to this term. First, it means “appointed time” or “designated time.” It is a time set by Yahweh. Yahweh has claimed certain times as…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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