Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
After 9 chapters of genealogy, the Chronicler begins his history with the death of Saul and the rise of David. The latter part of 1 Chronicles 12 describes the assembly of warriors from the twelve tribes to Hebron to celebrate David’s coronation as king. They have a three-day feast, with…
In the introduction we saw that Matthew and Luke are the only gospels which include “fire” in John the Baptist's narrative. If Matthew and Luke are the priestly and prophetic gospels, the inclusion of fire is of great importance. Priests are servants of the altar, working with fire every day.…
The feet of the great statue in Nebuchadnezzar’s dream cannot be interpreted as a prediction of the states of modern Europe, but the lessons from their failure can certainly be applied . The statue in Nebuchadnezzar’s dream spoke of God’s ordaining of four empires which would rule in succession throughout…
This past Sunday afternoon, I drove just a few miles west of my neighborhood to visit the corner of Sherman Blvd. and Burleigh St. in Milwaukee, Wisconsin. Amid a crowd I stood, looking at a huge gas station and multiple vehicles, all completely destroyed. Hundreds of feet of yellow caution…
1 Chronicles 12 is a flashback. The Chronicler has told the story of Saul’s death at the battle of Mount Gilboa. He has described how “all Israel” gathered to David at Hebron to make him king over all Israel (11:1-3). At the beginning of chapter 12, we move back to…
A great story draws you into specific details while delivering an ending that keeps you coming back. It brings you into the minutiae of life in such a way that requires patience, only to deliver a breath of fresh air time and again. The climax of the biblical story comes…
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There’s an interview regarding by recent book on empire at http://thegospelcoalition.org/blogs/trevinwax/ this morning.
Shylock has been played for sympathy frequently in the past century. But the sense that his character fits badly in a comedy is an old one. Already in 1709, Nicholas Rowe wrote, “Tho’ we have seen that Play Receiv’d and Acted as a Comedy, and the Part of the Jew…
In an old article in the Shakespeare Quarterly , Barbara Lewalski suggests that Merchant of Venice is a moralistic allegory depicting the character of Christian love. In the play, Christian love involves “giving and forgiving: it demands an attitude of carelessness regarding the things of this world founded upon a…
Mahood again ( The Merchant of Venice (The New Cambridge Shakespeare) ), describing Shakespeare’s and Shylock’s use of the gospels in the play (p. 198-9). “On Shylock’s first meeting with Bassanio, his detestation of the Christians breaks out in the dactylic rhythm and harsh consonants of ’ to eat of…
In an appendix to his edition of The Merchant of Venice (The New Cambridge Shakespeare) (pp. 197-8) , M. M. Mahood explores Shakespeare’s use of the Bible in the play. He notes the extensive echoes of the Jacob narrative, some explicit some not so much. “Shakespeare is unlikely ever to…
Should we love God disinterestedly, without expectation or desire for return from Him, without any desire for happiness? It’s a common idea, but Milbank rightly argues against it. He asks “what constitutes God’s loveability”? His answer” “every charm, every attractive feature of anything whatsoever, radiates outwards, rendering things apprehensible and…
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