Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Theopolis is delighted to announce that we have hired Brian Moats as Assistant to President Peter Leithart. An Alabama native and graduate of Boyce College in Louisville, Brian is a professional photographer who has also worked as a salesman and dispatcher for Charter Communications and Wayne's Environmental Services. Brian and…
Over the last few years, I have had frequent cause to return to the question of the ways in which the past and its forms of liturgy should be handled within the Church today. Keeping faith with the past is seldom as straightforward an endeavour as it might initially appear,…
The book of Proverbs appears as a largely random collection of aphorisms drawn from experience saturated in law. Despite its random arrangement, however, the book does have an over-arching structure that reinforces its main themes. One way to gather clues regarding the structure of a biblical book (or any book)…
Prior to attending the week-long intensive course on Holistic Mission, my wife and I were living two counties away from Milwaukee, in the comfortably quiet and rural village of Slinger, Wisconsin. In God’s providence, after nearly ten years of living in Slinger, we realized some changes to our comfortable and…
I have many Roman Catholic friends. Leading from my time at Saint Louis University and continuing through various scholarly engagements I often get an opportunity to discuss history and theology with Roman Catholics who are very well educated in their tradition and practice, some of whom are leading scholars in…
Theopolis ended its second year of operation with its Pentecost Term course on Music in Life and Liturgy last week. Co-taught by Ken Myers of Mars Hill Audio and scholar-in-residence James Jordan, the Music course was the largest Theopolis course yet. Sixteen pastors, seminary students, and music ministers from nine…
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There’s an interview regarding by recent book on empire at http://thegospelcoalition.org/blogs/trevinwax/ this morning.
Shylock has been played for sympathy frequently in the past century. But the sense that his character fits badly in a comedy is an old one. Already in 1709, Nicholas Rowe wrote, “Tho’ we have seen that Play Receiv’d and Acted as a Comedy, and the Part of the Jew…
In an old article in the Shakespeare Quarterly , Barbara Lewalski suggests that Merchant of Venice is a moralistic allegory depicting the character of Christian love. In the play, Christian love involves “giving and forgiving: it demands an attitude of carelessness regarding the things of this world founded upon a…
Mahood again ( The Merchant of Venice (The New Cambridge Shakespeare) ), describing Shakespeare’s and Shylock’s use of the gospels in the play (p. 198-9). “On Shylock’s first meeting with Bassanio, his detestation of the Christians breaks out in the dactylic rhythm and harsh consonants of ’ to eat of…
In an appendix to his edition of The Merchant of Venice (The New Cambridge Shakespeare) (pp. 197-8) , M. M. Mahood explores Shakespeare’s use of the Bible in the play. He notes the extensive echoes of the Jacob narrative, some explicit some not so much. “Shakespeare is unlikely ever to…
Should we love God disinterestedly, without expectation or desire for return from Him, without any desire for happiness? It’s a common idea, but Milbank rightly argues against it. He asks “what constitutes God’s loveability”? His answer” “every charm, every attractive feature of anything whatsoever, radiates outwards, rendering things apprehensible and…
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