Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Our creeds, taking cues from Matthew 28:18-20 and other biblical texts, speak of the order of the Trinity as “Father, Son, Spirit.” This order is evident in the order of redemption as well: the Father sends the Son, who ascends to heaven to receive and send the Spirit. Luke 1,…
The category of “relation” has long been central to Trinitarian theology, [1] but in recent theology it has become a transcendental, as many theologians have argued that relationality is the leading feature not only of divine life but of created life. [2] Human beings made in the image of the…
Listen to Trinity House President Peter Leithart discuss his article on the End of Protestantism with LCMS pastor Todd Wilken at Issues, Etc .
One of the keys to understanding the parable of the wheat and tares (Matthew 13) is to understand the time frame. Jesus is speaking in pictures and symbols about some period of history, but which? What’s the beginning, and what’s the end of the parable? Is Jesus talking about what…
Shakespeare wrote two tetrologies of English history, patriotically celebrating the Tudor monarchy by recounting its chaotic prehistory. Read in chronological order, Shakespeare’s English histories trace the depressing collapse of medieval politics, from the ineffectual but dignified medieval kingdom of Richard II, through the usurpation of Henry Bolingbroke, later Henry IV,…
The Heart of Liturgy What we call sacrament, the food-aspect of worship, is essential here. Biblically, sanctuary worship, or worship in the heavenlies, is always a “marriage supper,” always sacramental. The Papal Church made the Eucharist into a private act largely separated from the community of the church. Protestant churches…
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There’s an interview regarding by recent book on empire at http://thegospelcoalition.org/blogs/trevinwax/ this morning.
Shylock has been played for sympathy frequently in the past century. But the sense that his character fits badly in a comedy is an old one. Already in 1709, Nicholas Rowe wrote, “Tho’ we have seen that Play Receiv’d and Acted as a Comedy, and the Part of the Jew…
In an old article in the Shakespeare Quarterly , Barbara Lewalski suggests that Merchant of Venice is a moralistic allegory depicting the character of Christian love. In the play, Christian love involves “giving and forgiving: it demands an attitude of carelessness regarding the things of this world founded upon a…
Mahood again ( The Merchant of Venice (The New Cambridge Shakespeare) ), describing Shakespeare’s and Shylock’s use of the gospels in the play (p. 198-9). “On Shylock’s first meeting with Bassanio, his detestation of the Christians breaks out in the dactylic rhythm and harsh consonants of ’ to eat of…
In an appendix to his edition of The Merchant of Venice (The New Cambridge Shakespeare) (pp. 197-8) , M. M. Mahood explores Shakespeare’s use of the Bible in the play. He notes the extensive echoes of the Jacob narrative, some explicit some not so much. “Shakespeare is unlikely ever to…
Should we love God disinterestedly, without expectation or desire for return from Him, without any desire for happiness? It’s a common idea, but Milbank rightly argues against it. He asks “what constitutes God’s loveability”? His answer” “every charm, every attractive feature of anything whatsoever, radiates outwards, rendering things apprehensible and…
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