Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Romans 8:31-39 is better sung than commented upon. It’s a thrilling, ecstatic hymn of boisterous assurance that God’s purposes will be accomplished. Yet, I will attempt to comment on them. If we sing Paul’s hymn, let’s make sure we sing with understanding. Given the character of these verses, it’s easy…
"An ethic unshaped by eschatology is neither Jesus’ nor Christian.” - Tremper Longman How does an immature culture grow up? Edgar Wright’s Baby Driver is about the dangers of being lost in adolescence. By the end of the movie, the viewer is pointed to a road we infer leads to…
We are in the middle of our campaign for the end of the fiscal year. We've raised $30,000 from some major donors, and need to raise another $70,000 to meet our budget. Please consider becoming a regular donor , and keep reading to learn about a great opportunity. This brief…
Prolegomena 1. “You’re a pastor,” my new friend says as we sit down, “and you’re a massage therapist. How does that work?” To her, Christianity implies stuffy ideology, a disregard of the physical. A Christian massage therapist is an oddity; a pastor massage therapist is nearly a contradiction in terms.…
54% of Poles think favorably of Americans, only 13% unfavorably, according to Centrum Badania Opinii Spolecznej . Ten years ago, the numbers were 44% and 21% respectively. Twenty years ago, they were 64% and 6%. Back in the 1990s, Americans were the most liked nation among Poles. Now they are…
Stones of Life and Death Of course, the sex of a child is not a choice between light and darkness or life and death. Sex, like circumcision, is a horizontal demarcation, a delegation of roles within humanity. In contrast, the white stone and the black stone within the “liturgical scrotum”…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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