Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
I have never heard anyone say that the Bible is impractical, but I have heard people, after an in depth exegesis of a passage, ask for the practical application. Offer a class on childrearing, marriage, finance and the church members flock to it; offer a course on Leviticus, the visions…
Stones External and Internal The modern practice of dismantling the Bible into a shambles of documents authored in response to disparate historical events rather than viewing it as a unified testimony inspired by God is a surefire way to miss what is actually going on in the text. This failure…
King Asa of Judah made a strong start, purging the land of idols, altars, and images, and winning a war against the ginormous Cushite army led by Zerach. It all unraveled in his final years. From his thirty-fifth year to the forty-first year, when his reign came to an end,…
What appears to be Paul’s first recorded statement on justification comes in Acts 13, in a sermon at Pisidian Antioch. It's can serve as a summary of Paul's letter to the Romans, and throws some important light on the themes of that letter. Paul begins his sermon with a quick…
Iago as Tempter The answer to our first question — whether or not Othello is really great tragedy — has already pointed the way to the answer for the second question — Was Othello a noble Moor or a fool? The two questions, of course, are necessarily related. The fall…
When Adam McIntosh was ordained as Pastor of Saint David’s Church (CREC) in Houston on June 11, 2017, it was the culmination of decades of preparation. Adam is the product of two continents and three Christian traditions. Born in Paducah, Kentucky, he lived his early years partly in Jericho, where…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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