Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Introduction Isaiah 21 can only be understood in the light of its placement in the architecture of the second “volume” of the prophecy (chapters 13–27). The contents are arranged in twin sevenfold “columns” that represent the great bronze pillars of Solomon’s Temple: Jachin and Boaz, priest and king. The priestly…
A Biblical Reflection on the Purpose of the Constellations The starry heavens hold a place of wonder in the hearts of men. Since man’s creation we have looked up into the heavens and have beheld its glory. This is particularly true of the night sky. The stars, in their shinning…
The case for there being five discourses within the Gospel according to Matthew is a hard one to challenge: surely the closing formula “when Jesus finished these sayings” as found in 8:1, 11:1, 13:53, 19:1, and 26:1 settles it once and for all. And by the five instances of the…
The Long Commission The Great Commission of Matthew 28 has long been a cornerstone of American Evangelicalism. It has formed and fashioned the American church’s missional impulse. Yet when viewed from the wide lens of Scripture, from Genesis to Revelation, the Great Commission is revealed as one of the pillars…
I am delighted to see that more and more churches in the Reformed tradition are now recognizing that all baptized children are members of the body of Christ and therefore ought to be communing with the rest of the body at the Lord’s Table. This has been decades in the…
Good leaders have always been rare. In today’s world, they seem extinct. Joe Rigney’s recent book Leadership and Emotional Sabotage digs into the spiritual reasons for the leadership epidemic and recommends cures. Rigney starts with a summary of a book by Edwin Friedman called A Failure of Nerve . Friedman’s…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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