Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
For ye had compassion of me in my bonds, and took joyfully the spoiling of your goods, knowing in yourselves that ye have in heaven a better and an enduring substance. Hebrews 10:34 There is an old Puritan dictum that goes, “Sit lightly on the world.” George MacDonald places it…
As Genesis unfolds, God chooses a line of promise out of the nations. One by one its offshoots are peeled away as the story zooms in on God’s chosen people, Israel. First, the line of Cain is peeled away as Cain is sent out from the presence of YHWH. Though…
The following article was an address given to Anselm Presbytery (CREC) in the Fall 2024. Grace to you and peace from God our Father and the Lord Jesus Christ. Pray with me. Father of Heavenly Lights and fount of all Wisdom, guide us we pray, by your Word and Spirit,…
At my age, I’ve given up on the fantasy of “keeping up.” Much of my reading is now narrowly focused, research-reading in service of writing projects. If you want bibliography on the ontology of artifacts in Aristotle and Thomas Aquinas (which you don’t), or the purity laws of Leviticus, or…
I have been reading, thinking, and writing about the Internet and its effects upon our identities, communities, polities, and discourses for nearly a copy of decades. In that time, I have encountered no book as perceptive on the subject as Antón Barba-Kay’s A Web of Our Own Making: The Nature…
Identifying the men Paul refers to as “enemies of the cross” in Philippians 3:18 turns out to be relatively difficult. Peter O’Brian speaks of “all kinds of suggestions regarding their identity,” and offers a list of interpretations: “moral libertinists, behavioural materialists, orthodox Jews, lapsed or apostate Christians—because of persecution, Jewish…
Showing page 14 of 309
Showing page 9 of 43
Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
Showing page 1785 of 2212
Your weekly digest for all things Theopolis.
