Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
What is below is fairly self-explanatory. This is an exchange I had with a local liberal clergyman on the subject of abortion. The circumstances of the debate are included in the text itself. I initially e-mailed this out to a list of clergy in our city after a local (and…
The seemingly humdrum parts of the Bible often hide overlooked wisdom. Take, for example, the books of Ezra and Nehemiah. Their stories aren't exactly the most gripping or memorable. They are far less concrete than, say, the story of the Exodus. No one in Ezra is stricken blind or devoured…
For most of the past century, philosophical perspectives on life in the western world have been overtly grim and pessimistic. The optimism of the Enlightenment, generated by confidence in the scientific method and the potential of an increasingly civilized humanity to redress the evils of the world, was shattered by…
Chiastic structures are found all over the Bible, and in recent decades commentators have become more adept at spotting them. But identifying these literary structures is only part of the challenge. There remains the challenge of understanding what they mean. Part of the answer is found in the recognition that…
Part 1 can be found HERE . Clearly, more than just getting worship right is important in changing the world, but since worship is the central act of God’s people, performed on the first day of the week at the center of the world before the very face of God,…
“Blessed is the womb that bore you, and the breasts at which you nursed.” ( Luke 11:27 ) Arguing for Christian morality in a secular society is difficult. A culture which accepts evolutionary dogma has no intellectual place — or inherent desire — for absolute morality, since it believes morality…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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