Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
This is the third of a three part symposium commemorating the 40th Anniversary of Dr. James B. Jordan’s publication of Judges: a Practical and Theological Commentary . Judges was the first book length exposition of Theopolitan Reading, a practice of reading Scripture in its fullness that Theopolis continues to refine…
This is the second of a three part symposium commemorating the 40th Anniversary of Dr. James B. Jordan’s publication of Judges: a Practical and Theological Commentary . Judges was the first book length exposition of Theopolitan Reading, a practice of reading Scripture in its fullness that Theopolis continues to refine…
This is the first of a three part symposium commemorating the 40th Anniversary of Dr. James B. Jordan’s publication of Judges: a Practical and Theological Commentary . Judges was the first book length exposition of Theopolitan Reading, a practice of reading Scripture in its fullness that Theopolis continues to refine…
From the moment I found out I was pregnant, I knew: the only way out of this is death. Either this life inside me disappears without my consent, or I lay my own life down to line the road for another. Like palm leaves at the city entrance, allowing the…
After the Jerusalem Council (AD 48/49), which endorsed Paul’s teaching of the Gospel and established a universal theology among Christian churches, Paul and Barnabas returned to Antioch and taught for some time (Acts 15:30–35). Then, it occurred to Paul to go on a second missionary trip to visit the churches…
This essay first appeared at SolomonSays.net and has been lightly edited for publishing purposes. Before I go any further on what the Bible tells us about the future history of the mortal human race , I must address the end of that history: the final resurrection. When Paul was arrested…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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