Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
One reason readers assume Paul is trying to prove that all human beings are sinful is that they understand him to be arguing that no one can keep the law. That means, they think, his opponents must believe that human nature is potentially sinless. Taking Paul’s statement that, if you…
[Note: This post was written prior to our name changing to Theopolis Institute.] What is Trinity House for? Three things: We aim to advance the reformation of the church and, through the church, to promote the renewal of culture; in furthering reformation, we aspire to be a site of fraternal,…
This is the third in a series of studies of the Third Word, and especially of Deuteronomy 14. In 1979 Stephen Kaufman penned a groundbreaking essay on Deuteronomy, arguing that it was a meticulously structured and carefully composed book. In his view, chapters 12 to 26 in particular follow the…
A large mistake is made in understanding Romans if one assumes that Paul is concerned with proving the fact that no one can ever live without sin—or that all attempts at obeying God’s commands are at least tainted with human sinfulness. The first problem with such an assumption is that…
This is the second in a series of studies on the Third Word, and especially on the food laws of Deuteronomy 14. In the second part of this series, I argue that Moses’ reworking of the Ten Words in Deuteronomy 5 includes adding nuance to the Third Word. This prepares…
Recent months have brought a lively discussion of Christian participation in the culture war. On the one hand, the pro-life movement appears to be making some slow progress on the abortion issue. The trial of abortionist and serial murderer Kermit Gosnell has the potential to awaken those who are nominally…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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