Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Every advent of new media creates the justifiable reaction from some that the necessarily accompanied amputation may not be worth the extension made possible by the new tools. This is not unique to the Digital Age. Lamoignon Malesherbes, the French politician who was counsel for the defense of Louis XVI,…
A response to Gage Crowder's " The Hole in our Hope ?" Already, the first pages of the Bible promise a bright future. The story starts with the creation of heaven and earth, where heaven is perfect, but the earth is in a state of formless emptiness. Yet, God takes…
A rejoinder to Bubu Jarmulak's essay, " Embrace Pessimism ." Whereas calumnious critiques are reflections of more on the critic than the work criticized, good critiques are always opportunities for reassessment and improvement if they are received as such . Since its renaissance, the biblical doctrine of postmillennialism—or “optimistic eschatology,”…
Several decades ago, a pastor (and friend) mentioned in passing at one of our regular breakfasts together that he wasn’t satisfied with the usual reading of Jesus’s prayer in Gethsemane, the usual reading being that Jesus asked the Father to avoid the Cross at Gethsemane. We turned to the passage,…
On May 21, 1604, the cathedral of Toledo in Spain held job interviews for the post of choirmaster, the head of music at the church. The position had been vacated when the previous occupant, Alonso Lobo, was poached by the nearby cathedral of Seville, and Toledo needed a replacement who…
Imagine — counterfactually: on the night he was betrayed, the Lord Jesus held up an empty hand and said, ‘This is the blood of the covenant poured out for you. Drink of it.’ But there was no cup, no wine, nothing. If there’s no sign of the covenant, is there…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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