Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
The initial chapters of Joshua demonstrate that Joshua is a new Moses, completing the task that Moses began. Moses is named ten times in the first chapter; though dead, he still dominates the scene. The book begins with the announcement of Moses’ death (1:1); Yahweh promises to fulfill what He…
The way in which you should defend and prove the Christian Faith and the way in which you debunk alternative belief systems is not the same way that you came to know that Christianity is true and that all alternatives are false. This is important because confusing the two ways…
If we want to learn the best way to proclaim and defend the Gospel, we can do no better than to go to the Bible for guidance. Indeed, not only do we find examples for how to present God’s Word, but we also find examples of problems we will face.…
As Christians we all want to see nonchristians convert to faith in Christ by the grace of God. Even more, we probably want to be instrumental in such a conversion–for that would be a special blessing. But let’s be honest: we all hope that such an opportunity will be a…
Day 3 The third day completes the initial structuring work and the initial filling work. First, God separates land and sea, putting the sea below the land. This reproduces the configuration that has just been set up in heaven: land over sea. The earth is being modelled after heaven. There…
In this essay, I wish to present some facts not familiar to many Christians, and draw some possible inferences. My purpose is to help us all become more familiar with the Psalter as God has set it out in its final and canonical form. To begin with, let us consider…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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