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Writing

Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Parenting

Guarding Our Eyes

It is a well-known movie trope, the sports car drives up, a stiletto-heeled starlet steps out and the camera follows her leg up the prodigious slit of her dress, then it takes in the rest of her figure before settling on her face, usually primed and puckered for some pro-feminist…

by Remy WilkinsSeptember 15, 2015
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Books

Are the Divine Persons Persons?

The “personalist” understanding of the Trinity, articulated most influentially in the work of John Zizioulas, has fallen on hard times. Recent scholars have attacked Zizioulas’s idea that Cappadocian Trinitarianism represented an ontological revolution, hammering again and again the distinction between divine and human personhood. Michel Barnes’s conclusion is the most…

by Peter LeithartSeptember 10, 2015
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Culture

Face To Facebook

I sit here in my office and poke around on a keyboard that is not even physically connected to my laptop and characters appear on a screen. I have a phone in my pocket through which I talk to someone around the world, send a text message, and to which…

by Bill SmithSeptember 8, 2015
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Prayer

Repent of Your Piety

I want to give a pep talk. Nothing fancy, nothing clever. Jesus makes some astounding promises in Luke 11. I want to clear out the clutter and convince you to believe Him and to act on it. The chapter begins with Jesus praying and teaching His disciples to pray by…

by Peter LeithartSeptember 7, 2015
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John

The Strange Love of Jesus

Eleonore Stump in her book Wandering in Darkness invites us to re-read the story of Lazarus (John 11) from Mary’s perspective. Stump argues that the story of Lazarus is a story of Mary, since both Lazarus and Martha are identified by their relationship with Mary. The true ending of the…

by Bogumil JarmulakSeptember 3, 2015
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Movies

Movies and Music with James Jordan

In his introduction to The Glory of Kings: A Festschrift in Honor of James B. Jordan , Peter Leithart says this about him: “Jordan is an unclassifiable thinker because he is an unclassifiable person . . . he closes his eyes in ecstasy listening to Messiaen or Rachmaninoff . .…

by Brian MoatsSeptember 2, 2015

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Literature

Courtly Shakespeare, II

To one of his servant, Shakespeare’s Macbeth says, “The devil damn thee black, thou cream-faced loon!” Davenant’s says, “Now, Friend, what means thy change of Countenance?” And for the wonderful surging lines in Macbeth 2.2.58-61 (including “the multitudinous seas incarnadine”), Davenant substituted the much weaker “can the Sea afford/ Water…

September 28, 2006
Literature

Courtly Shakespeare

Michael Dobson notes ( Shakespeare: An Illustrated Stage History ) that the restoration of drama in 1660 was not really a restoration but a re-creation, involving “a transformation of the London theatre, carried out by royal warrant” tht “forever altered the relationship between drama and the state, the design and…

September 28, 2006
Economics

Elegant dress

In his Theory of the Leisure Class , Thorstein Veblen notes that it is good if it shows that “the wearer can afford to consumer freely and uneconomically,” but beyond that should “make plain to all observers that the wearer is not engaged in any kind of productive labor.” Elegant…

September 27, 2006
Literature

Bowdlerized Shakespeare

In the Edinburgh Review notice regarding the publication of Bowdler’s Family Shakespeare (1821-22), Francis Jeffrey, Lord Rector of the University of Glasgow, praised the edition for meeting the needs of decent people everywhere: “Now it is quite undeniable, that there have been many passages in Shakespeare, which a father could…

September 27, 2006
History

The Good Old Days…

when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an American actor of populist style and…

September 27, 2006
History

The Good Old Days…

when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an American actor of populist style and…

September 27, 2006

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