Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
"Put not your trust in princes, in a son of man, in whom there is no salvation. When his breath departs, he returns to the earth; on that very day his plans perish. Blessed is he whose help is the God of Jacob, whose hope is in the Lord his…
When it comes to the interpretation of Shakespeare, Harold Bloom is my favorite enemy. His writing is brilliant, his knowledge of things Shakespearean encyclopedic, and the insights he offers may puzzle, startle, or amaze, but they always educate. How then can he be an enemy? Because his anti-Christian bias is…
Theopolis President Peter Leithart spent the last week of March lecturing on worship and sacraments in England. He delivered four lectures on liturgy in Bolton, a town north of Manchester, arguing that Christian worship must be worship fit for the king and fit for the kingdom that has come in…
When we think about eschatology, we think immediately of Daniel, of Matthew 24-25, of 1 Corinthians 15 and 2 Thessalonians 2, and of course of Revelation. We don’t, I suspect, think about Genesis. Perhaps Genesis 3:15, with its promise of the woman’s seed, would come to mind. So might the…
Alexander Schmemann in his book, Of Water and the Spirit, expounds the question that appears in nearly all the older baptismal liturgies, “Do you renounce the devil and all his works, the vain pomp and glory of the world and all sinful lusts of the flesh.” This renunciation, according to…
Franklin Graham recently posted the following statement on his Facebook page: “Listen up—Blacks, Whites, Latinos, and everybody else. Most police shootings can be avoided. It comes down to respect for authority and obedience. If a police officer tells you to stop, you stop. If a police officer tells you to…
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B orn to Run is an anthem of escape, seemingly an exodus from the confinements of small-town America: “H-Oh, Baby this town rips the bones from your back / It’s a death trap, it’s a suicide rap / We gotta get out while we’re young / ‘Cause tramps like us,…
T errence Rafferty calls filmmaker Guillermo del Toro the “Master of Highbrow Horror” ( The Atlantic ). He traces del Toro’s aesthetic to a childlike mix of fear and fascination: “Toro’s work isn’t simply the something’s-out-to-get-you feeling of conventional scare pictures. It’s fear mixed with fascination, a childlike wonder at…
I n an essay on the notion of “cosmopolitanism,” Wayne Cristaudo presents Franz Rosenzweig and Eugen Rosenstock-Huessy as thinkers who propose an un philosophical cosmopolitanism. That un- is critical, Crustaudo thinks, to a genuine recognition of and reckoning with difference: Both Rosenzweig and Rosenstock oppose “the more typical philosophical approach…
J anet Adelman ( Blood Relations ) devotes an interesting chapter to analyzing Lancelot’s departure from Shylock’s house, and his strange reunion with his father Gobbo, in Merchant of Venice . Lancelot has been Shylock’s servant, but he has had enough and, like Shylock’s daughter Jessica, he leaves for the…
I n his provocative essay on Gender , Ivan Illich describes a shift from “vernacular gender” to “social sex.” By the former, he meant “a distinction in behavior, a distinction universal in vernacular cultures. It distinguishes places, times, tools, tasks, forms of speech, gestures, and perceptions that are associated with…
Ivan Illich ( Gender ) points to the differences between the activities of a modern housewife and those of her grandmother. They are practically and economically quite distinct. “When a modern housewife goes to the market, picks up the eggs, drives them home in her car, takes the elevator to…
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