Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Theophanic revelation is historically progressive, or eschatological, in character. First of all, in Genesis 1:2, the Spirit appeared inside the creation, sent by the Father. After the creation of man, the Spirit worked and works with humanity to bring us to maturity, from Daughter to Bride to fruitful Mother. He…
On the eighth day of the rite of "filling the hand," Aaron began his service at the altar. His first offering was a "calf" (Heb. `egel ), which served as a purification offering for himself and (apparently) his household (Leviticus 9:2, 8). This is striking for a couple of reasons.…
One of the distinctive items of the high priest’s clothing was the "golden plate" inscribed with the words "Holy to Yahweh" (Exodus 28:36-38). The word translated as "plate" is tsits , which literally means "flower." The verbal and noun forms are both used in Numbers 17:8, which describes Aaron’s rod…
The square, rectangle, and cross shapes appear all over the sanctuaries God reveals in the Bible: Tabernacle, Solomon’s Temple, Ezekiel’s Temple, New Jerusalem. One thing that can be said right away about these designs, and the occasional perfect circle (the lavers), is that they do not occur in nature. They…
"For just as Jonah was three days and three nights in the belly of the sea-monster, so will the Son of Man be three days and three nights in the heart of the earth" (Matthew 12:40). Some reflections on Jonah’s Big Fish have led to the following essay. Let me…
Citing Melchizedek in Genesis 14:18-20, James Jordan has written that "the name of God in use among the nations was God Most High’" (Hebrew, `el `elyon ; in Through New Eyes , p. 176). In addition to Melchizedek, one could cite the example of Balaam, who invokes the Lord both…
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Prior to the 18th century, writes Mark Evan Bonds, instrumental music was considered inferior to music that accompanied words ( Wordless Rhetoric ). According to the artistic theory developed by Johann Georg Sulzer, “instrumental music . . . can be pleasing and at times moving, but its ‘meaning' is relatively…
Paul's speech on the Areopagus is the second of three programmatic speeches in Acts. Robert Tannehill notes ( The Narrative Unity of Luke-Acts ) that they trace the progression of Paul's mission: “Careful planning is indicated by the fact that we have three different types of speeches addressed to three…
In his now-classic Sources of the Self (143-4), Charles Taylor observes that Descartes is “in many ways profoundly Augustinian: the emphasis on radical reflexivity, the importance of the cogito, the central role of a proof of God's existence which starts from ‘within,' from features of my own ideas, instead of…
Mark Evan Bonds's Absolute Music is a study of 19th-century debates concerning the purity or absoluteness of music, the question of the possibility and/or propriety of segregating music from the rest of the world, music as a sheer aesthetic experience, an experience of pure beauty or simple form. It's a…
Robert Tannehill points out in the second volume of his Narrative Unity of Luke-Acts that Acts 16-19 depicts a recurring “public accusation type-scene.” Prior to chapter 16, the public accusations against Paul and his associates are not highlighted. After chapter 16, they are. “In 16:20-21 Romans accuse the mission of…
Matthew B. Crawford argues in The World Beyond Your Head that things discipline our attention and thus make genuine knowledge of the world possible: “ things that can serve as a kind of authority for us, by way of structuring our attention. The design of things—for example, cars and children’s…
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