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Writing

Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Theopolis News

Water, Bread, and Wine

"The faithful use of sacraments, and indeed a fully sacramental view of creation, is vital to the life of the Church. Baptism and the Lord's Supper are rites that directly shape the community and the Body, because they were given by God for that express purpose. A deficient practice of…

by Brian MoatsMay 27, 2016
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Culture

Detached People Can Only Float

Weightlessness is fun. At the beginning of Gravity (2013) , we can see one astronaut dancing the Macarena and another one playing with his jetpack. They like it out there in the space. Apart from zero-gravity they can enjoy beautiful views, and even the silence is likable, although Matt Kowalski…

by Bogumil JarmulakMay 26, 2016
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American Culture

A Very Good Joke?

I recently went to a lunch that is more or less quarterly. About a dozen of us go. It is a lunch held in honor of a retired professor of religion and philosophy. I have been one of his acquaintances for more than 40 years. In his tenure as professor,…

by Richard BledsoeMay 24, 2016
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Theological Education

Why Theopolis?

Why Theopolis? Don't we already have seminaries and Bible colleges and other institutions for theological education? Why do we need another one? I get this question now and again. I ask myself this question even more often. What follows is a partial answer. Back in the 1990s, seminaries seemed to…

by Peter LeithartMay 19, 2016
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Good Works

The Logic of Luther

I think the logic of the Lutheran Reformation can be summarized in one sentence, attributed to Luther himself: "God does not need your good works, but your neighbor does." The first half of that statement is justification by faith . God doesn't need our works to satisfy his justice or…

by Rich LuskMay 17, 2016
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Art

Appreciating the Camera Work in Pornography

If you are looking to start a fight with Christians, there is hardly a better subject to do so than the arts. Music, movies, paintings, and literature have provided no small battlegrounds for Christians to war. We are emotionally invested in the arts. A song, a book, or a film…

by Bill SmithMay 10, 2016

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Overlapping Structures in Revelation 21-22

James Jordan has suggested that the vision of new Jerusalem (Revelation 21:9-22:5) is arranged as a chiastic recasting of the creation week: A. Day 1: Light in the city, 21:10-11 B. Day 2: Boundaries and measurements of the city, 21:12-17 C. Day 3: Materials of the city, 21:18-21 D. Day…

July 30, 2015

Show & Tell

The verb “show” ( deiknuo ) occurs eight times in Revelation, and the eight uses fall into a neat pattern. Twice at the beginning (1:1; 4:1) and twice at the end (22:6, 8), the verb is used with a generic object. God shows “things which must shortly take place” (1:1;…

July 30, 2015

Musical Bridges

In an essay on “barriers and bridges” in American religion, Stephen Warner emphasizes the role of music in building bridges, forging solidarity without requiring assent to a common set of propositions. He offers a florilegium of quotations from various scholars: “At an emotional level, there is something ‘deeper' about hearing…

July 30, 2015

Keeping Time, Keeping Together

William H. McNeill's Keeping Together in Time explores the role of “emotional bonding through rhythmic muscular movement” in history (52). The significance of the phenomenon occurred to him during military training in 1941: “A sense of pervasive movement in unison is what I recall; more specifically, strange sense of personal…

July 30, 2015

End of the End

The final chapter of the Bible (Revelation 22:6-21) is a rapid series of speeches and dialogues, structured in fourfold parallelism. Each new section introduces a new speaker or speech with some form of “he said.” The speakers move from an angel to Jesus to the Spirit and bride. The chapter…

July 29, 2015

Seven Heads

In a 2007 Bibliotheca Sacra article, Mark Hitchcock examines various theories about the identity of the seven heads of the beast in Revelation 17:9-11. It's been proposed that the number seven is purely symbolic of fulness, and that the heads are not to be identified with any historical characters. Hitchcock's…

July 29, 2015

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