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Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Children

Honor God With Your Body

I am making a new rule in our house! We are actually kind of skimpy on the house rules. I try very hard to keep things simple: love God, love others, be joyful. It’s not complicated to avoid discipline here. But I have found myself repeating this new rule over…

by Lindsey TollefsonApril 9, 2015
giotto-noli-me-3
John

The Gardener and the Beloved, (Part 3)

Click HERE for Part 2 The voice of Jesus transforms and changes Mary when she hears him speak her name. This is her last “turning.” So also the woman in the Song of Songs longs to hear the voice of her beloved. Let me see your face, let me hear…

by Jeff MeyersApril 6, 2015
giotto-noli-me-2
John

The Gardener and the Beloved, (Part 2)

Click HERE for Part 1. The details of this story call the attentive reader back to the drama of Solomon’s Song of Songs. And the Song of Song’s alludes to, ties us into the story of Adam and Eve in the Garden and the promise of a coming Messiah that…

by Jeff MeyersApril 4, 2015
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Theopolis News

Easter Term, 2015

“The course was a paradigm shift for me,” said Jonathan Sedlak, a Milwaukee electrical contractor who attended Theopolis’s course on Revelation. “I am left with a book that is far more practical than it has ever seemed before.” Jonathan Anderson of Louisville, Kentucky found the course “refreshing.” “I finished with…

by TheopolisApril 2, 2015
psalm-singing
Genesis

Worship as Response: Liturgical Logic, (Part 1)

“It is only by participation in a rational, practice-based community that one becomes rational.” – Alasdair MacIntyre It may be perfectly clear to a chef why adding unsifted powdered sugar to a hot frosting is a bad idea. But for an amateur cook, this may be the kind of rule…

by Jonathan BarlowApril 2, 2015
giotto-noli-me
John

The Gardener and the Beloved, (Part 1)

On a fresco in a chapel in Padua, Italy, there is a famous painting depicting the dramatic post-resurrection scene in John 20 with Mary and Jesus outside of the garden tomb. Giotto di Bondone painted it in the early 14th century. Jesus is striding from the tomb with a victor’s…

by Jeff MeyersApril 1, 2015

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Eucharist

Cult of the Host

One chapter of Emmanuel Katongole's A Future for Africa is a critique of the Ugandan Movement for the Restoration of the Ten Commandments of God (MRTCG). He argues that the movement has a “tendency toward isolation,” fails “to reimagine the nature of Christian leadership,” and exhibits a “lack of hope”…

July 21, 2015

You Are A Nanoverse

Tim Flannery's NYRB review of Paul Falkowski's Life's Engines and Peter Ward and Joe Kirschvink's A New History of Life sums up the authors' points: “our cells are comprised of a series of highly sophisticated ‘little engines' or nanomachines that carry out life’s vital functions.” These microscopic machines all work…

July 21, 2015

End of Music

The fall of Babylon brings an end to the sounds and sights of urban life. In particular it means the end of music (Revelation 18:22). Music once spread to the four corners of the city; when she is tossed into the cease, all four orchestra sections cease - harpists, musicians,…

July 20, 2015

Bound and Unbound

The verb “bind” (Greek, deo ) is used four times in John's gospel. The uses form a little chiasm: A. Lazarus emerges from the grave bound with grave clothes, 11:44. B. The Romans arrest and bind Jesus, 18:12. B'. Anna sends Jesus, still bound, to Caiaphas, 18:24. A'. Jesus is…

July 20, 2015

The Bible Teaches Us To Read It

Those who share in the first resurrection are not under the authority of the second death (Revelation 20:6). We know what the first resurrection is. John has just told us: Beheaded martyrs and those who resist the beast come to life and reign with Christ. “ This is the first…

July 20, 2015

Racism and the Modern Self

In his A Future for Africa , Emmanuel Katongole offers this brief analysis of the roots of racism. He argues that it is a specifically modern phenomenon, and that it is entrenched in “the story of the modern self, particularly the constant anxiety at the heart of the modern project.”…

July 20, 2015

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