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American Religion

Protestantism's Lost Soul

D. G. Hart’s The Lost Soul of American Protestantism vividly clarifies the differences between evangelical and Confessional Protestantism. In part the book is a manifesto for historians of American religion. Hart argues that historians of American Protestantism have operated with a simplistic binary contrast of evangelical/conservative v. liberal/progressive. At best,…

by Peter LeithartAugust 18, 2015
dostoyevsky
Books

The Idiot and the Limits of Compassion

Dostoyevsky’s novel, The Idiot , like his other major works, is a complex evaluation of the human condition—a juxtaposition of the innate goodness and innate evil that resides within every human heart. There is much one can say about The Idiot . I am no specialist of Russian literature, or…

by Gerald HiestandAugust 13, 2015
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Homosexuality

If There is “Natural Law” How Can People Believe in Same-Sex Marriage?

At risk of violating some secret handshake agreement on some important nuance to “natural law,” I will sum up what I understand in my own words. As far as I can tell natural law is supposed to be an area of knowledge that all people should be able to agree…

by Mark HorneAugust 11, 2015
falling-star
Biblical Studies

Cosmic Language, 2

The first installment of this article may be found here . The Image of Man This brings us to a substitutionary atonement which we do understand, the fulfilment of the cruciform Tabernacle in the cross of Christ. Although Jesus’ execution was Physical and Social, it was primarily Personal . Beginning…

by Mike BullAugust 6, 2015
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Genesis

Every Noise Appalls

The first two essays in this series drew attention to the structure of the first part of Macbeth and to the way Shakespeare incorporates the Garden of Eden into his story. Macbeth , we saw, is a temptation story in which, compared to the Biblical story, the temptation itself is…

by Ralph Allan SmithAugust 4, 2015
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Revelation

The Warrior and the City: A Wedding Homily

Revelation 19:6-9 Then I heard something like the voice of a great multitude and like the sound of many waters and like the sound of mighty peals of thunder, saying, “Hallelujah! For theLord our God, the Almighty, reigns. Let us rejoice and be glad and give the glory to Him,…

by Peter LeithartAugust 3, 2015

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Monster to Music

In Rune 40 of the Finnish epic, Kalevala , the hero, Wainamoinen, is sailing with his friends to Pohjola, where he intends to recover the Sampo, a talisman of good luck and extraordinary, mysterious power. No one today quite knows what the Sampo was, but many of the episodes of…

April 28, 2015

Chaucer and the Greeks

Chaucer, like Shakespeare after him, set some of his poems in ancient Greece. The “Knight's Tale” takes place in Athens, ruled by the same “Duke” Theseus who rules Athens in Midsummer Nights Dream . Troilus and Cresyde is a Trojan love tragedy. Neither of these works, however, shows much deep…

April 28, 2015

Greece in the English Renaissance

According to C. S. Lewis ( English Literature in the Sixteenth Century , 27-28), English humanists were most interested in style, but the style was mostly Latin: “Greek was given abundance of ‘mouth honor,’ but only the minor Greek authors (Plutarch, Heliodrous, Chilles Tatius, the Anthology) were really relished. Greek…

April 28, 2015

Make Love and War: The Knight's Tale

Emily, the lady-love of Chaucer's “Knight's Tale,” the first of the Canterbury Tales, appears in a garden, and the poet describes her as if where were part of the garden. She is Eve in Eden. But this is no Edenic world. The men who see her are locked out of…

April 28, 2015

Universal Tragedy

Tragic stories are fall stories. Whether through moral wrong or through some inadvertent hamartia , the tragic hero falls from a high place. Others are engulfed in the tragedy to one extent or another, but not everyone. Those who watch can experience the catharsis of pity and fear by watching…

April 28, 2015

Invention of Allegory

C S. Lewis describes the formation of medieval allegorism in his classic Allegory of Love . He begins by distinguishing between an allegorical and a sacramental or symbolic turn of mind. Allegory begins, he says, with “an immaterial fact, such as the passions which you actually experience” and finds ways…

April 27, 2015

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