Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
The Paradosis Center at John Brown University in Siloam Spring, Arkansas, put on its first conference last week, it was a remarkable event. It was an ecumenical conference including Orthodox (John Behr, Edith Humphrey, others), Catholic (Rusty Reno, Michael Root, others), and Evangelical (Timothy George, David Lyle Jeffrey). Unusually for…
Naphtali Meshel observes in his new The "Grammar" of Sacrifice that scholars have been talking for decades about the "grammatical" character of ritual and sacrifice in general, but have never actually analyzed a specific ritual or sacrificial system grammatically. Some even talk about a "universal grammar" of sacrifice "even though…
Some Christians are rather breezy about the problem of evil. We shouldn't be. Do I need to remind you of the grisly beheadings that have taken place over the past few weeks? Do I need to remind you of the blood of innocents that’s been spilled in our own country?…
Have you ever been to a wedding where the heavens opened and a voice declared the couple “husband and wife”? Few of us have. Beautiful as they are, most marriages are quite mundane. Yet when Jesus talks about marriage, He describes it as something that God does: “What God has…
Jesus is the last and greatest of the Prophets. He is the Prophet that Moses predicted (Deuteronomy 18). That means He gives the final word, brings the blueprints for the final temple, speaks the final world into existence, and has complete and permanent access to the divine court, where He…
Paul stands against those who are “troubling” or “disturbing” the Galatians churches ( tarasso ; 1:7; also in 5:10). The reference seems to be two great troublers from the Old Testament. First, Achan is described as a “troubler” for the problems he causes in the aftermath of the battle at…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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