Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
In the first installment of this essay, I offered the following chiastic outline of 1 Timothy: A. 1:1-2. Paul greets Timothy as a true child of the Faith, and blesses with grace, mercy, and peace. B. 1:3-7. Timothy is urged to command against heresy. C. 1:8-11. The reason the Law…
In the first installment of this essay, I offered the following chiastic outline of 1 Timothy: A. 1:1-2. Paul greets Timothy as a true child of the Faith, and blesses with grace, mercy, and peace. B. 1:3-7. Timothy is urged to command against heresy. C. 1:8-11. The reason the Law…
In the Bible, a memorial is something that brings God's promises and previous actions to mind, so that He can do them again. The rainbow is the model, set in heaven so that Yahweh remembers the covenant He makes with Noah (Genesis 9:13-15). God is light and dwells in a…
The First Epistle to Timothy fits neatly in the context of what King Jesus and the church are doing in the gospels, in Acts, Revelation, and all of the Apostolic Age in between. Paul writes to Timothy to encourage him in his work as a pastor in the “latter days,”…
I have been pastoring Cornerstone Reformed Church in Carbondale, Illinois since 1999. We are members of the Communion of Reformed Evangelical Churches (CREC), but have been practicing catholicity for many years, both personally and corporately. I’ve always believed that the Church of Jesus Christ is much more than the local…
Ecumenism is easy to talk about. It’s doing something to promote it that’s the problem. As a pastor in a town with churches of different denominations, all of whom love their doctrinal distinctions and are jealous to defend them whenever they perceive the slightest challenge, how can you be ecumenical…
Showing page 173 of 309
Showing page 9 of 43
Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
Showing page 64 of 2212
Your weekly digest for all things Theopolis.
