Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
First John 5.16-17: If anyone sees his brother committing a sin not leading to death, he shall ask, and God will give him life–to those who commit sins that do not lead to death. There is sin that leads to death; I do not say that one should pray for…
A few years back I read Lesslie Newbigin’s little book Truth and Authority in Modernity . 1 I was particularly impressed with his argument in chapter 2 “The Mediation of Divine Authority.” Now, maybe this is old hat to many of you, but I don’t think I’ve ever heard it…
Baptism is not Christian circumcision. There’s a lot of loose talk to that effect in Presbyterian circles; but it’s not accurate. The old world rite of circumcision was fulfilled in the death and resurrection of Jesus. Baptism unites us to Christ and therefore makes us participate in the circumcision of…
In recent years I’ve observed a number of Reformed-type churches trying to institute corporate handraising in certain sung parts of worship. This often does not seem to work very well. Some people don’t do it. Some do it half-way. Some do it with one hand. Some dramatically stretch to the…
Most modern scholars recognize that behind Arius’s campaign to differentiate Jesus from God was the Hellenistic theological conviction that the high God cannot suffer. Rowan Williams argues that Arius had the right idea about divine suffering, but the wrong idea of God, which “puts the unavoidable question of what the…
Charismatics have been much maligned for constantly “praising the Lord.” They would say if you hit your finger with a hammer, you should instantly say, “Thank you Jesus that You let me hit my finger…” This of course, as we all know, is stupid. There was once a lady who…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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