Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
When God created Adam, He gave him both a vision and a responsibility. The big vision was the Dominion Mandate. The more specific calling was to cultivate and guard the Garden. God also told Adam about the gold of Havilah, which was good and beautiful (that is how the Hebrew…
After the death of Jan Hus (1369–1415), his successors, the Hussites, began to develop his thoughts on the theology and practice of the Church, particularly on= the question of the lay chalice. This time, however, it was not a question of whether this should be permitted at all—after all, this…
Imagine a friend of yours got involved in a commune, one of the really crunchy ones that does their own farming and such along with poetry nights and music and art. They’re pretty good at all this, actually. They’re using some really interesting permaculture practices at the communal farm, the…
Genesis 22, the story of Abraham’s near-sacrifice of Isaac, is one of the more well-known typologically dissected passages in the Bible. But just for the sake of dotting “i”s, here is a quick rundown: The promised son’s appearing was awaited a very long time (Genesis 12:4; 15:2–3; 16:16; 17:17; 21:1–5;…
A Narrative Sermon on Luke 22:24-46 As Luke walked through the rain toward the corner house he was apprehensive. That surprised him. He knew all along that this was the climax of the process—that he would have to present his work to these men before it could be copied and…
In 2004, an article by Slavoj Žižek appeared in Psychoanalytic Review entitled, ‘What Can Psychoanalysis Tell Us About Cyberspace?’ One of the answers that Žižek offers is that cyberspace creates an environment within which the consumer gets to play in a world where there is no God. In his use…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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