Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
The Bible depicts Man’s transformation from beas t to priest in and through Jesus Christ. Two sets of people have their garments designed by God in the Torah: Adam and Eve and priests (of which the High Priest’s garments garner most attention). The first garment is beastly, while the second…
I became the pastor of Westminster Bible Church in Bowling Green, Kentucky soon after completing my Ph.D. in church history. On paper, it was the ideal church for me. Even the name, I thought smacked of my preferences: the Westminster Confession with idealistic Biblicism. I didn’t know it had been,…
Why do we believe in the resurrection of Jesus? It itself, it is utterly unbelievable, as the two disciples on the road to Emmaus also concluded (Luke 24:19-24). But why is it so unbelievable? Are there not many stories of a dead man or woman coming back to life? Stories…
In the first installment of this two-part essay, we provided a rough outline of a thick theological account of Christian hope. We concluded with mention of important critiques of such traditional views on hope, that by orienting Christians to place their ultimate hope in God and the future consummation of…
Dare we hope in the midst of “ negative world ”? The idea of the “negative world” has recently served as a helpful framework for many to come to terms with the fact that Western societies (particularly the United States) are aggressively turning against their Christian roots and moral values.…
In his prologue, Luke tells us that his gospel history is an “orderly account” (1:3). Although generally chronological, time is not the only or the main organizing principle for his history. To argue for Luke’s main theme would take up too much space, but instead I want to explore one…
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There’s an interview regarding by recent book on empire at http://thegospelcoalition.org/blogs/trevinwax/ this morning.
Shylock has been played for sympathy frequently in the past century. But the sense that his character fits badly in a comedy is an old one. Already in 1709, Nicholas Rowe wrote, “Tho’ we have seen that Play Receiv’d and Acted as a Comedy, and the Part of the Jew…
In an old article in the Shakespeare Quarterly , Barbara Lewalski suggests that Merchant of Venice is a moralistic allegory depicting the character of Christian love. In the play, Christian love involves “giving and forgiving: it demands an attitude of carelessness regarding the things of this world founded upon a…
Mahood again ( The Merchant of Venice (The New Cambridge Shakespeare) ), describing Shakespeare’s and Shylock’s use of the gospels in the play (p. 198-9). “On Shylock’s first meeting with Bassanio, his detestation of the Christians breaks out in the dactylic rhythm and harsh consonants of ’ to eat of…
In an appendix to his edition of The Merchant of Venice (The New Cambridge Shakespeare) (pp. 197-8) , M. M. Mahood explores Shakespeare’s use of the Bible in the play. He notes the extensive echoes of the Jacob narrative, some explicit some not so much. “Shakespeare is unlikely ever to…
Should we love God disinterestedly, without expectation or desire for return from Him, without any desire for happiness? It’s a common idea, but Milbank rightly argues against it. He asks “what constitutes God’s loveability”? His answer” “every charm, every attractive feature of anything whatsoever, radiates outwards, rendering things apprehensible and…
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