Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Who were the company of singers who sang in the Temple built by Solomon? I think many people might answer “the Levitical singers.” That is not correct, because the Levites were not allowed inside the Temple; only the priests were. The Levitical choir and orchestra performed for Yahweh outside the…
Dear Congregation, Social media is awash with rants for and against the ruling from the Supreme Court (SCOTUS) yesterday regarding homosexual marriage ( Obergefell v. Hodges ). My contribution on Facebook was simply to quote relevant sections of the dissents written by the four judges in the minority. Even though…
After the Civil War, the hobbled nation and fractured races looked about for leadership; animosity was high and envy was crouching at the door. Booker Taliaferro Washington, up from slavery, surveyed the rising tension and injustice, foreseeing civil unrest and chafing inequalities, eschewed, remarkably, a legislative remedy and advised a…
The ruling on Obergefell v. Hodges “came down” on Friday morning, June 26, 2015, like a bolt from Zeus. Many who refuse to bow to the dictates of our Olympians will write trenchant legal, theological, and cultural/political analyses of the court’s ruling. What I’m comfortable contributing to the historical record,…
Orthodox Christianity has lost all cultural potency in the U.S. No one defending traditional marriage before the court dared raise the fundamental question: Who creates marriage, God or the state? Theology has no public standing, no persuasive force in the culture at large. Obergefell is another nail in the coffin…
One will rarely come upon a classical allusion in a Robert Frost poem. His poetic scheme was to follow the speaking patterns of common folk, to use their words and images to achieve his point. Despite this simplicity, there is a depth and richness to his poetry that can be…
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Carey Ellen Walsh ( Exquisite Desire ) points to the difference between classical responses to desire and the account of desire in the Song of Songs.  Using Odysseus and the Sirens as an illustration, she notes how this scene reveals the Greek instinct that desire “harbors danger by rendering its…
Love is as strong as death.  But no stronger.  It’s a standoff. No, Jenson says: “death does not allow of stalemates.  If love binds lovers even in death’s despite, death is overcome by love.  Nor does the grave allow of partial retrievals; if it yields its prey, then its jealousy…
Barthian that he is, Jenson gets the point of the Song’s “seal on my heart” just right: Jesus’ “death has made us the seal of his identity: he dies ‘for’ us, in identification with us.  Now he is not what he is without us; he did not go into death…
Robert Jenson ( Song Of Songs (Interpretation, a Bible Commentary for Teaching and Preaching) ) notes that Song of Songs 8:6-7 contains “pervading reference to the myths of Israel’s religious milieu: ” Mot can indeed be translated simply ‘death,’ but it is also a proper name, for the Canaanite god…
Jealousy refers to a relentless and exclusive passion and attachment.  For Solomon, it is as hard as the grave.  Once someone goes into the grave, the grave doesn’t let him back up; once it takes hold, it doesn’t let go.  Jealousy is like that.  It is “that aspect of love…
Given the “canon” that Scripture speaks “doubly” of Christ (sometimes divinely, sometimes humanly), it would seem easy for Athanasius to shuffle passages about the Father giving and the Son receiving to the “humanity” side of things.  He doesn’t, and He’s right.  The Son has all that the Father has, and…
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