Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Along His journey to Jerusalem, Jesus stops frequently to have meals, three times with Pharisees (7:37-50; 11:37-54; 14:1-35). Meals were central to Jesus’ ministry. He comes “eating and drinking” (Luke 7:34). While His meals are not just for refreshment, they are opportunities for teaching the protocols of the kingdom. Meals…
Time as a realm of participation can be difficult for us imaginatively to grasp. While music is a profoundly temporal art, exploring the medium of time like no other, most of our temporal experience seems decidedly unmusical in character, disjointed and unorchestrated. The form in which we naturally discover time…
John devotes much attention to Jesus’ burial clothes. He tells us that Nicodemus brought about a hundred pounds of myrrh and aloes to spice Jesus body, and that He was bound in linen wrappings. We find out that His body and His head were wrapped separately. (John 19:39-40; 20:6-7). When…
Thinking about time in terms of music also helps us to appreciate its unity and inner relations. Henri Bergson observes our cultural habit of dividing time into discrete moments, and conceiving of these as if akin to objects in a spatial succession. [1] Against such a notion, Bergson argues for…
As we attend to these and other aspects of music’s temporality, Begbie suggests, we will find means by which to resist some of our habitual modern ways of conceptualizing time, most especially our tendency to conceive of time as if it were a homogeneous set of technologically quantifiable units laid…
The Hidden Dimension In many fields of scientific study, the apparent complications and contradictions are dispelled once the internal logic is perceived. Biblical hermeneutics is no different, since the author of Creation is the Author of the Word. The Bible’s literary labyrinth radiates organically from an algorithm so simple it…
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Yahweh speaks with the voice of many waters, and so does Jesus.  That means loud, but it also means that the voice is the source of life (cf. Numbers 20:11; 24:7; Ezekiel 17:5), like the abundant waters in the wilderness. Many waters cannot quench the flame of Love.  That is,…
“Set me as a seal upon your heart,” says the Bride to the Bridegroom. Now the priest wore stones with the names of the tribes “engraven like a seal” on his breastplate (Exodus 28:11, 21) and the name of Yahweh, also “engraven like a seal” on the golden plate on…
Erik Peterson ( Das Buch von den Engeln ) points out that the new song of Revelation 5 is sung by people from every tongue and nation and people.  Thus, “the hymn of the church is the transcending of all national hymns, as the speech of the church is the…
Hegel’s “sublation” seems to be a conceptual vestige of perichoresis. Sublation requires the Trinity: If all is one, nothing other can be absorbed within being destroyed.  If we have sheer differentiation, all is utterly other. Hegel is right: Sublation happens.  Aquinas does absorb Aristotle, so that Aristotle is still recognizably…
INTRODUCTION The Song of Songs is a love poem, but both Jewish and Christian readers have discerned that it’s something more than that.  Ultimately, the Song is nothing less than the gospel. THE TEXT “Put me like a seal over your heart, like a seal on your arm for love is…
All history, Hegel says, is the death and resurrection of Jesus, the God’s embrace of negativity and death and their sublation in the resurrection.  This movement of incarnation, death, and death-nestled-in-resurrection is, moreover, the pattern of thought.  As Hegel says, “‘God himself is dead,’ it says in a Lutheran hymn,…
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