Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Along His journey to Jerusalem, Jesus stops frequently to have meals, three times with Pharisees (7:37-50; 11:37-54; 14:1-35). Meals were central to Jesus’ ministry. He comes “eating and drinking” (Luke 7:34). While His meals are not just for refreshment, they are opportunities for teaching the protocols of the kingdom. Meals…
Time as a realm of participation can be difficult for us imaginatively to grasp. While music is a profoundly temporal art, exploring the medium of time like no other, most of our temporal experience seems decidedly unmusical in character, disjointed and unorchestrated. The form in which we naturally discover time…
John devotes much attention to Jesus’ burial clothes. He tells us that Nicodemus brought about a hundred pounds of myrrh and aloes to spice Jesus body, and that He was bound in linen wrappings. We find out that His body and His head were wrapped separately. (John 19:39-40; 20:6-7). When…
Thinking about time in terms of music also helps us to appreciate its unity and inner relations. Henri Bergson observes our cultural habit of dividing time into discrete moments, and conceiving of these as if akin to objects in a spatial succession. [1] Against such a notion, Bergson argues for…
As we attend to these and other aspects of music’s temporality, Begbie suggests, we will find means by which to resist some of our habitual modern ways of conceptualizing time, most especially our tendency to conceive of time as if it were a homogeneous set of technologically quantifiable units laid…
The Hidden Dimension In many fields of scientific study, the apparent complications and contradictions are dispelled once the internal logic is perceived. Biblical hermeneutics is no different, since the author of Creation is the Author of the Word. The Bible’s literary labyrinth radiates organically from an algorithm so simple it…
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A web summary of Lacan’s negative account of desire says, “In constructing our fantasy-version of reality, we establish coordinates for our desire; we situate both ourselves and our object of desire, as well as the relation between. As Slavoj Zizek puts it, ’ through fantasy, we learn how to desire’…
“I am my beloved’s, and his desire is for me,” says the bride in the Song of Songs (7:10). “Desire” is the same word used in Genesis 3:16 and 4:7, both of which describe a desire for authority, domination, rule, a threatening desire.  The bridegroom of the Song reverses the…
We’re all deists.  The design of the universe shows that a Great Intelligent Something is responsible for it. No, says Athanasius.  The design of the universe is the impress of eternal wisdom on the creation.  The cunning of creation doesn’t manifest “God,” but eternal creative Wisdom, the eternal Word, whose…
Thomas writes that “to signify something by words or merely by the construction of images . . . yields nothing but the literal sense” and “poetic images refer to something other than themselves only so as to signify them; and so a signification of that sort goes no way beyond…
Denys Turner notes that the Song of Songs presented challenges to the “minority” of medieval theologians who argued for a more rigorous grounding of spiritual in literal senses.  For these, the text speaks literally, referring to specific events; and these events, as Thomas says, providentially typify future events. To qualify…
The distinction of image and likeness has been a common one in the history of theology, East and West, and in the West at least it overlaps with the nature/grace dualism.  Image for Bonventure “denotes a kind of ‘shape,’ that is, a quantitative feature of quality or a qualitative feature…
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