Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Flying scrolls. Red horses. Beasts coming out of the sea. Winged women. The list goes on. Apocalyptic literature in the Bible is like a cross between science fiction and Marvel comics. And the Bible has a fair bit of this sort of thing. Daniel sees visions in Babylon, Zechariah sees…
Trinity House Institute has taken a new name, the Theopolis Institute. This striking new name expresses our unique vision and mission and captures the unified purpose behind all our specific programs and activities. We still have Bible, liturgy, and culture in our tagline. We still offer the same courses on…
Adam Kotsko offers a socio-political variation on the Christus Victor atonement theory in his 2010 study, The Politics of Redemption: The Social Logic of Salvation . He does this by explaining "the devil" in terms of the Hegelian concept of "objective spirit," Geist . As Kotsko puts it, Geist "refers…
Two factors keep Nahtali Meshel from discussing the meaning of sacrifice until late in his The "Grammar" of Sacrifice . The first has to do with the texts he draws from: "P says little about the meaning of its rituals" (174). The other has to do with the grammatical theory…
Chapter 5 of Naphtali Meshel's The "Grammar" of Sacrifice focuses on "praxemics," the physical actions of sacrificial ritual. Praxemes are constituted by six elements: an "atomact," an elementary physical act or gesture; an actor; an object that is acted up; a target for the action and often for the object…
Two chapters of Naphtali Meshel’s The “Grammar” of Sacrifice cover what he calls “jugation” and “hierarchies.” The first involves the addition of other materials to an animal offering. Jugates include wine, cereal, and oil that are added to the animals (zoemes) that are offered in sacrifice. Some jugates are coordinated…
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A web summary of Lacan’s negative account of desire says, “In constructing our fantasy-version of reality, we establish coordinates for our desire; we situate both ourselves and our object of desire, as well as the relation between. As Slavoj Zizek puts it, ’ through fantasy, we learn how to desire’…
“I am my beloved’s, and his desire is for me,” says the bride in the Song of Songs (7:10). “Desire” is the same word used in Genesis 3:16 and 4:7, both of which describe a desire for authority, domination, rule, a threatening desire.  The bridegroom of the Song reverses the…
We’re all deists.  The design of the universe shows that a Great Intelligent Something is responsible for it. No, says Athanasius.  The design of the universe is the impress of eternal wisdom on the creation.  The cunning of creation doesn’t manifest “God,” but eternal creative Wisdom, the eternal Word, whose…
Thomas writes that “to signify something by words or merely by the construction of images . . . yields nothing but the literal sense” and “poetic images refer to something other than themselves only so as to signify them; and so a signification of that sort goes no way beyond…
Denys Turner notes that the Song of Songs presented challenges to the “minority” of medieval theologians who argued for a more rigorous grounding of spiritual in literal senses.  For these, the text speaks literally, referring to specific events; and these events, as Thomas says, providentially typify future events. To qualify…
The distinction of image and likeness has been a common one in the history of theology, East and West, and in the West at least it overlaps with the nature/grace dualism.  Image for Bonventure “denotes a kind of ‘shape,’ that is, a quantitative feature of quality or a qualitative feature…
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