Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Stalker is a Soviet-era film by Andrei Tarkovsky in which an enigmatic location comes into existence either through an alien crash or a nuclear disaster; the film never makes it clear, but knowing Tarkovsky’s criticism of the spectacle nature of the alien motif after his own filming of Solaris and…
I was scrolling through Instagram on the night of Thanksgiving, the only one awake (as usual), coming down from my extrovert-high after all the conversation and merriment of the day, when I came across a post that stopped me in my tracks. The post contained a picture-perfect image of some…
The Theopolis Institute is pleased to announce the fourth round of the James B. Jordan Prize to honor outstanding doctoral dissertations in biblical theology. James Jordan is one of the most insightful biblical scholars of our time. The Jordan Prize exists to encourage more of the deep Scriptural investigation of…
Suppose I were to write three versions of a story. In every version, the first half of the book looks forward to the coming of the king. There are promises about him and about how glorious his kingdom will be, about how his kingdom will fill the earth with peace…
Introduction Doug Wilson’s American Milk and Honey is now available. There’s a great deal in the book worth commenting on, and I anticipate engaging with that material more broadly in the near future. In the lead up to its release, however, Moscow has not been silent concerning Israel, the Jews,…
Our telling of the Prodigal Son parable usually (and rightly) focuses on the runaway younger brother: the lost son returns, and his father joyfully and graciously receives him. But the full story has an additional element: an angry older brother. Jesus uses the older brother to rebuke the religious leaders…
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A web summary of Lacan’s negative account of desire says, “In constructing our fantasy-version of reality, we establish coordinates for our desire; we situate both ourselves and our object of desire, as well as the relation between. As Slavoj Zizek puts it, ’ through fantasy, we learn how to desire’…
“I am my beloved’s, and his desire is for me,” says the bride in the Song of Songs (7:10). “Desire” is the same word used in Genesis 3:16 and 4:7, both of which describe a desire for authority, domination, rule, a threatening desire.  The bridegroom of the Song reverses the…
We’re all deists.  The design of the universe shows that a Great Intelligent Something is responsible for it. No, says Athanasius.  The design of the universe is the impress of eternal wisdom on the creation.  The cunning of creation doesn’t manifest “God,” but eternal creative Wisdom, the eternal Word, whose…
Thomas writes that “to signify something by words or merely by the construction of images . . . yields nothing but the literal sense” and “poetic images refer to something other than themselves only so as to signify them; and so a signification of that sort goes no way beyond…
Denys Turner notes that the Song of Songs presented challenges to the “minority” of medieval theologians who argued for a more rigorous grounding of spiritual in literal senses.  For these, the text speaks literally, referring to specific events; and these events, as Thomas says, providentially typify future events. To qualify…
The distinction of image and likeness has been a common one in the history of theology, East and West, and in the West at least it overlaps with the nature/grace dualism.  Image for Bonventure “denotes a kind of ‘shape,’ that is, a quantitative feature of quality or a qualitative feature…
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