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Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Children

Honor God With Your Body

I am making a new rule in our house! We are actually kind of skimpy on the house rules. I try very hard to keep things simple: love God, love others, be joyful. It’s not complicated to avoid discipline here. But I have found myself repeating this new rule over…

by Lindsey TollefsonApril 9, 2015
giotto-noli-me-3
John

The Gardener and the Beloved, (Part 3)

Click HERE for Part 2 The voice of Jesus transforms and changes Mary when she hears him speak her name. This is her last “turning.” So also the woman in the Song of Songs longs to hear the voice of her beloved. Let me see your face, let me hear…

by Jeff MeyersApril 6, 2015
giotto-noli-me-2
John

The Gardener and the Beloved, (Part 2)

Click HERE for Part 1. The details of this story call the attentive reader back to the drama of Solomon’s Song of Songs. And the Song of Song’s alludes to, ties us into the story of Adam and Eve in the Garden and the promise of a coming Messiah that…

by Jeff MeyersApril 4, 2015
easter-term-2015-2
Theopolis News

Easter Term, 2015

“The course was a paradigm shift for me,” said Jonathan Sedlak, a Milwaukee electrical contractor who attended Theopolis’s course on Revelation. “I am left with a book that is far more practical than it has ever seemed before.” Jonathan Anderson of Louisville, Kentucky found the course “refreshing.” “I finished with…

by TheopolisApril 2, 2015
psalm-singing
Genesis

Worship as Response: Liturgical Logic, (Part 1)

“It is only by participation in a rational, practice-based community that one becomes rational.” – Alasdair MacIntyre It may be perfectly clear to a chef why adding unsifted powdered sugar to a hot frosting is a bad idea. But for an amateur cook, this may be the kind of rule…

by Jonathan BarlowApril 2, 2015
giotto-noli-me
John

The Gardener and the Beloved, (Part 1)

On a fresco in a chapel in Padua, Italy, there is a famous painting depicting the dramatic post-resurrection scene in John 20 with Mary and Jesus outside of the garden tomb. Giotto di Bondone painted it in the early 14th century. Jesus is striding from the tomb with a victor’s…

by Jeff MeyersApril 1, 2015

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Art

Aesthetic enjoyment

Adorno writes that enjoyment is not the be-all of art.  Certainly it isn’t for the producers of art: “If you ask a musician if he enjoys playing his instrument, he will probably reply: ‘I hate it’ . . . People who have a genuine relation to art would rather immerse…

September 24, 2009

Soteriology in time

Soteriology is eschatology, and that means soteriology  has to have an already/not yet structure.  Rejecting either justification by faith or judgment according to works breaks the bond of eschatology and soteriology.  Another way to say this is soteriology is about what happens in time . The alternatives are: 1) Antinomian:…

September 23, 2009

God acknowledging God

Commenting on the “seal” in Song of Songs 4:12, Luther writes, “In the same way we Christians are now sealed by the Word, Baptism, and the Sacramental of the Altar, by which we are distinguished from all other races, not just before the world, but rather in God’s own judgment.”…

September 23, 2009

Film, actors and audience

In his classic essay on the “work of art in the age of mechanical reproduction,” Walter Benjamin made some trenchant observations on the way film affects actors and audiences.   Importantly, he believes these effects are not the result of some perversion of the medium of film, but inherent in…

September 23, 2009

Adam and Elohim

Paul Niskanen has an insightful analysis of Genesis 1:27 in the latest JBL .  He starts with the question of whether Barth’s view that the image of God is found in relationality and specifically in sexual difference has any exegetical support.  He reviews the current discussion, and notes that there…

September 23, 2009

Heidegger’s hermeneutics

Ouch!  Schaeffer again, this time on Heidegger’s interpretive methods: “Paraphrase, translation, dismantling of the syntax, making the text autonomous with regard to the concrete subject who utters it, absolute silence regarding the poetic form: to these five characteristics we must add hermeneutic authoritarianism,” the last of which “postulates an opposition…

September 22, 2009

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