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Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Matthew

What Tune is Playing? (Matthew 11:1-19)

Matthew’s gospel is a replay of Israel’s history, and this replay occurs at two different levels. On the one hand, Jesus relives Israel’s history and does it faithfully. He is the Son, the true Israel, called out of Egypt, baptized in the sea, tempted in the wilderness. He is the…

by Peter LeithartJanuary 14, 2014
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Theopolis News

Constantine, Christendom, Christian Renewal

Trinity House President Peter Leithart will deliver two lectures at the Eighth Day Institute annual conference in Wichita, Kansas, January 16-18. The conference theme is "Constantine, Christendom, and Christian Renewal," and Dr. Leithart will be lecturing on Constantine. Dr. Leithart will preach on Sunday, January 19, at Trinity Covenant Church…

by Peter LeithartJanuary 13, 2014
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Matthew

Treasures in Matthew's Genealogy, 2

In the previous article, we considered the life of Abraham up to the birth of Isaac and the way in which his life up to that point foreshadows later redemptive history. Our reason for this consideration was at the Gospel of Matthew's behest. He pointed us in that direction. He…

by Kelly KerrJanuary 9, 2014
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Theology

The Trinity and the Nations, 3

The Spirit of Speech The last period in Israel’s history arrives almost from nowhere. The prophets appear unannounced, give short, but earth-shattering messages and then are whisked away by the Spirit (1 Kings 18:12). They do not hold high positions in Israel, but their words give them great political sway.…

by Brian MarrJanuary 7, 2014
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Theopolis News

Nevin Lectures

Trinity House Institute is delighted to announce our first annual series of Nevin Lectures. Timothy George, Dean and Professor of Church History at Beeson Divinity School, will deliver four lectures on “Sacramental Theology from a Baptist Perspective” on February 7-8, 2014 at Trinity Presbyterian Church in Birmingham, Alabama. More information...…

by TheopolisJanuary 2, 2014
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Revelation

Him Whom They Pierced

Revelation 1: 7 states the theme of Revelation. It is a self-standing verse, beginning and ending with “Amen” (the “Amen” at the end of verse 6 should be taken as the beginning of the statement in verse 7). A double Amen as a double witness, and it becomes a threefold…

by Peter LeithartJanuary 1, 2014

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Art

Aesthetic enjoyment

Adorno writes that enjoyment is not the be-all of art.  Certainly it isn’t for the producers of art: “If you ask a musician if he enjoys playing his instrument, he will probably reply: ‘I hate it’ . . . People who have a genuine relation to art would rather immerse…

September 24, 2009

Soteriology in time

Soteriology is eschatology, and that means soteriology  has to have an already/not yet structure.  Rejecting either justification by faith or judgment according to works breaks the bond of eschatology and soteriology.  Another way to say this is soteriology is about what happens in time . The alternatives are: 1) Antinomian:…

September 23, 2009

God acknowledging God

Commenting on the “seal” in Song of Songs 4:12, Luther writes, “In the same way we Christians are now sealed by the Word, Baptism, and the Sacramental of the Altar, by which we are distinguished from all other races, not just before the world, but rather in God’s own judgment.”…

September 23, 2009

Film, actors and audience

In his classic essay on the “work of art in the age of mechanical reproduction,” Walter Benjamin made some trenchant observations on the way film affects actors and audiences.   Importantly, he believes these effects are not the result of some perversion of the medium of film, but inherent in…

September 23, 2009

Adam and Elohim

Paul Niskanen has an insightful analysis of Genesis 1:27 in the latest JBL .  He starts with the question of whether Barth’s view that the image of God is found in relationality and specifically in sexual difference has any exegetical support.  He reviews the current discussion, and notes that there…

September 23, 2009

Heidegger’s hermeneutics

Ouch!  Schaeffer again, this time on Heidegger’s interpretive methods: “Paraphrase, translation, dismantling of the syntax, making the text autonomous with regard to the concrete subject who utters it, absolute silence regarding the poetic form: to these five characteristics we must add hermeneutic authoritarianism,” the last of which “postulates an opposition…

September 22, 2009

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