Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Along His journey to Jerusalem, Jesus stops frequently to have meals, three times with Pharisees (7:37-50; 11:37-54; 14:1-35). Meals were central to Jesus’ ministry. He comes “eating and drinking” (Luke 7:34). While His meals are not just for refreshment, they are opportunities for teaching the protocols of the kingdom. Meals…
Time as a realm of participation can be difficult for us imaginatively to grasp. While music is a profoundly temporal art, exploring the medium of time like no other, most of our temporal experience seems decidedly unmusical in character, disjointed and unorchestrated. The form in which we naturally discover time…
John devotes much attention to Jesus’ burial clothes. He tells us that Nicodemus brought about a hundred pounds of myrrh and aloes to spice Jesus body, and that He was bound in linen wrappings. We find out that His body and His head were wrapped separately. (John 19:39-40; 20:6-7). When…
Thinking about time in terms of music also helps us to appreciate its unity and inner relations. Henri Bergson observes our cultural habit of dividing time into discrete moments, and conceiving of these as if akin to objects in a spatial succession. [1] Against such a notion, Bergson argues for…
As we attend to these and other aspects of music’s temporality, Begbie suggests, we will find means by which to resist some of our habitual modern ways of conceptualizing time, most especially our tendency to conceive of time as if it were a homogeneous set of technologically quantifiable units laid…
The Hidden Dimension In many fields of scientific study, the apparent complications and contradictions are dispelled once the internal logic is perceived. Biblical hermeneutics is no different, since the author of Creation is the Author of the Word. The Bible’s literary labyrinth radiates organically from an algorithm so simple it…
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According to Pickstock, Augustine’s musical ontology is not a mere subordination of space to time, or a univocal “Dionysian flow”: “just as important as the priority of time, for Augustine, is the insistence on articulation into distinct musical units or phrases, the very move which allows a stress upon the simultaneity…
Nothing comes from nothing.  That seems obvious, and Christians have traditionally had some difficulty explaining why creatio ex nihilo is a defensible violation of that basic principle. According to Catherine Pickstock, Augustine viewed creation ex nihilo as the most rational position.  All around us, “things are continuously coming to be…
In responding to Milbank’s analysis of Augustine on the secular, RA Markus ( Christianity And the Secular (Blessed Pope John XXIII Lecture Series in Theology and Culture) ) borrows MJ Hollerich’s summary of Milbank that there is no “neutral public sphere in which people can act politically without reference to…
Jean-Marie Schaeffer ( Art of the Modern Age: Philosophy of Art from Kant to Heidegger (New French Thought Series) has a blast pointing out the contradictions in Kant’s aesthetics. Most of them arise from Kant’s insistence that the judgment of taste is founded on “the form of a finality” that…
Can effects double as causes? Kant, still working with some form of final causality, thinks so: There are cases when “the thing that for the moment is designated effect deserves none the less, if we take the series regressively, to be called the cause of the thing of which it…
Evidence that Hamann had Kant right: In explaining taste as a common sense, he notes that this common sense of beauty can be arrived at by a process of stripping off whatever belongs to our perception and prejudice. That is, we put “ourselves in the position of every one else,…
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