Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Stalker is a Soviet-era film by Andrei Tarkovsky in which an enigmatic location comes into existence either through an alien crash or a nuclear disaster; the film never makes it clear, but knowing Tarkovsky’s criticism of the spectacle nature of the alien motif after his own filming of Solaris and…
I was scrolling through Instagram on the night of Thanksgiving, the only one awake (as usual), coming down from my extrovert-high after all the conversation and merriment of the day, when I came across a post that stopped me in my tracks. The post contained a picture-perfect image of some…
The Theopolis Institute is pleased to announce the fourth round of the James B. Jordan Prize to honor outstanding doctoral dissertations in biblical theology. James Jordan is one of the most insightful biblical scholars of our time. The Jordan Prize exists to encourage more of the deep Scriptural investigation of…
Suppose I were to write three versions of a story. In every version, the first half of the book looks forward to the coming of the king. There are promises about him and about how glorious his kingdom will be, about how his kingdom will fill the earth with peace…
Introduction Doug Wilson’s American Milk and Honey is now available. There’s a great deal in the book worth commenting on, and I anticipate engaging with that material more broadly in the near future. In the lead up to its release, however, Moscow has not been silent concerning Israel, the Jews,…
Our telling of the Prodigal Son parable usually (and rightly) focuses on the runaway younger brother: the lost son returns, and his father joyfully and graciously receives him. But the full story has an additional element: an angry older brother. Jesus uses the older brother to rebuke the religious leaders…
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Bowersock contrasts the stance of Christians and Jews toward the Greco-Roman world: “it was precisely the Christians’ vigorous participation in the civic life and intellectual traditions of the Graeco-Roman world that grounded their martyrdoms in the life of the great cities. The Jews, by contrast, had conspicuously chosen a different…
GW Bowersock ( Martyrdom and Rome (Wiles Lectures) ) cites an article by Louis Robert to explain Perpetua’s vision at her martyrdom. She saw “a man of enormous height, whose head rises above the very top of the amphitheater itself, and whose clothes show purple garments not only falling from…
Jane Harrison begins her Prolegomena to the Study of Greek Religion (Mythos Books) with a quotation from Ruskin regarding the “genius of the Greeks”: “there is no dread in their hearts; pensiveness, amazement, often deepest grief and desolation, but terror never. Everlasting calm in the presence of all Fate, and…
David Gress’s excellent From Plato to NATO: The Idea of the West and Its Opponents shows that classics programs, the discipline of classics, great books programs, are founded on a highly questionable “grand narrative” of Western civilization. According to this narrative, Western history is a series of magic moments, beginning…
Dio Cassius ( Roman History , 77.7) describes how Caracalla modelsed himself after Alexander the Great: “He was so enthusiastic about Alexander that he used certain weapons and cups which he believed had once been his, and he also set up many likenesses of him both in the camps and…
Kenneth Clark: “Facts become art through love, which unifies them and lifts them to a higher plane of reality.” Almost right, that. Right on the link between artifice (poetry, courtesy, ornamentation) and love. Right too on the unifying metaphoricity of art. Right too on the link of fact and art.…
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