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American Religion

Protestantism's Lost Soul

D. G. Hart’s The Lost Soul of American Protestantism vividly clarifies the differences between evangelical and Confessional Protestantism. In part the book is a manifesto for historians of American religion. Hart argues that historians of American Protestantism have operated with a simplistic binary contrast of evangelical/conservative v. liberal/progressive. At best,…

by Peter LeithartAugust 18, 2015
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Books

The Idiot and the Limits of Compassion

Dostoyevsky’s novel, The Idiot , like his other major works, is a complex evaluation of the human condition—a juxtaposition of the innate goodness and innate evil that resides within every human heart. There is much one can say about The Idiot . I am no specialist of Russian literature, or…

by Gerald HiestandAugust 13, 2015
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Homosexuality

If There is “Natural Law” How Can People Believe in Same-Sex Marriage?

At risk of violating some secret handshake agreement on some important nuance to “natural law,” I will sum up what I understand in my own words. As far as I can tell natural law is supposed to be an area of knowledge that all people should be able to agree…

by Mark HorneAugust 11, 2015
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Biblical Studies

Cosmic Language, 2

The first installment of this article may be found here . The Image of Man This brings us to a substitutionary atonement which we do understand, the fulfilment of the cruciform Tabernacle in the cross of Christ. Although Jesus’ execution was Physical and Social, it was primarily Personal . Beginning…

by Mike BullAugust 6, 2015
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Genesis

Every Noise Appalls

The first two essays in this series drew attention to the structure of the first part of Macbeth and to the way Shakespeare incorporates the Garden of Eden into his story. Macbeth , we saw, is a temptation story in which, compared to the Biblical story, the temptation itself is…

by Ralph Allan SmithAugust 4, 2015
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Revelation

The Warrior and the City: A Wedding Homily

Revelation 19:6-9 Then I heard something like the voice of a great multitude and like the sound of many waters and like the sound of mighty peals of thunder, saying, “Hallelujah! For theLord our God, the Almighty, reigns. Let us rejoice and be glad and give the glory to Him,…

by Peter LeithartAugust 3, 2015

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History

Male Muse

In a NYT review of Arthur Phillips’s latest, Kate Christensen comments, “The male muse is an unaccountably rare thing in art, with the exception of the men who inspired the likes of Auden and O’Hara — that is, men who were as sexualized and fetishized as their female counter parts,…

April 10, 2009
History

We Were Never Modern

Carl Becker ( The Heavenly City of the Eighteenth-Century Philosophers ) writes that though the Philosophes were devoted to reason, “a skeptical lot, atheists in effect if not by profession, addicted to science and the scientific method, always ready to crush the infamous, valiant defenders of liberty, equality, fraternity, freedom…

April 10, 2009
History

House of gods

In an article on Constantine’s church-building, Gregory Alexander repeats a commonplace about the difference between pagan and Christian places of worship: “The temple is a house for the god; the church is a gathering place for communal worship.” Yes, but: Jesus says He’ll be there in our gathering, so the…

April 9, 2009
History

Freeman on Persecution

Freeman’s colossal misconceptions come out on every page. Under that patient persecution by the Romans, some Christians saw the light and offered sacrifice, but others “resisted to the point of martyrdom.” Not that it mattered much; they were eager to die, since they preferred “their reward in heaven . .…

April 8, 2009
History

Freeman’s distortions

Two instances of Freeman’s distortions (these from The Closing of the Western Mind ). First, he has a couple of pictures of the Riace warrior statue from Delphi, which “represents man at his most heroic, almost a god in his own right.” On the facing page he says “By the…

April 8, 2009
History

Christ and Caesar

Charles Freeman notes that the sarcophagus of the Roman aristocrat Junius Bassus depicts Jesus “entering Jerusalem as if he was an emperor entering a city, and above this image he is shown sitting in glory on an imperial throne set above a representation of heaven.” He cites Sabine MacCormack’s comment…

April 8, 2009

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