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American Religion

Protestantism's Lost Soul

D. G. Hart’s The Lost Soul of American Protestantism vividly clarifies the differences between evangelical and Confessional Protestantism. In part the book is a manifesto for historians of American religion. Hart argues that historians of American Protestantism have operated with a simplistic binary contrast of evangelical/conservative v. liberal/progressive. At best,…

by Peter LeithartAugust 18, 2015
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Books

The Idiot and the Limits of Compassion

Dostoyevsky’s novel, The Idiot , like his other major works, is a complex evaluation of the human condition—a juxtaposition of the innate goodness and innate evil that resides within every human heart. There is much one can say about The Idiot . I am no specialist of Russian literature, or…

by Gerald HiestandAugust 13, 2015
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Homosexuality

If There is “Natural Law” How Can People Believe in Same-Sex Marriage?

At risk of violating some secret handshake agreement on some important nuance to “natural law,” I will sum up what I understand in my own words. As far as I can tell natural law is supposed to be an area of knowledge that all people should be able to agree…

by Mark HorneAugust 11, 2015
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Biblical Studies

Cosmic Language, 2

The first installment of this article may be found here . The Image of Man This brings us to a substitutionary atonement which we do understand, the fulfilment of the cruciform Tabernacle in the cross of Christ. Although Jesus’ execution was Physical and Social, it was primarily Personal . Beginning…

by Mike BullAugust 6, 2015
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Genesis

Every Noise Appalls

The first two essays in this series drew attention to the structure of the first part of Macbeth and to the way Shakespeare incorporates the Garden of Eden into his story. Macbeth , we saw, is a temptation story in which, compared to the Biblical story, the temptation itself is…

by Ralph Allan SmithAugust 4, 2015
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Revelation

The Warrior and the City: A Wedding Homily

Revelation 19:6-9 Then I heard something like the voice of a great multitude and like the sound of many waters and like the sound of mighty peals of thunder, saying, “Hallelujah! For theLord our God, the Almighty, reigns. Let us rejoice and be glad and give the glory to Him,…

by Peter LeithartAugust 3, 2015

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Expression and content

Umberto Eco ( Limits of Interpretation ) criticizes Barthes’s notion that connotation occurs when “a sign function (Expression plus Content) becomes in turn the expression of a further content.” He argues that “in order to have a connotation, that is, a second meaning of a sign, the whole underlying first…

August 14, 2008

Fat Heart

Isaiah 6:10 says that Isaiah’s ministry will make the hearts of Israel “fat” and their ears “heavy” ( kabad ). The phrasing is unique to Isaiah 6, but the combination of heavy and fat conjures up Eli, who also was going blind. Isaiah 6 is a new Samuel, and like…

August 13, 2008
History

From Creator-creature to Subject-object

MH Abrams notes that at the heart of Romanticism was a transfer of Christian concepts into a new, subjectivist, context: “Much of what distinguishes writers I call ‘Romantic’ derives from the fact that they undertook, whatever their religious creed or lack of creed, to save traditional concepts, schemes, and values…

August 13, 2008

God-like Hirsch

Frank Lentricchia argues that there is “no unmediated historical knowledge,” and adds: “That is reserved for God, or for theorists like Hirsch who believe that objective knowledge can be acquired in a massive act of dispossessing ourselves of the only route to knowledge that we have: the historicized self. What…

August 13, 2008

Sacraments and texts

Roger Lundin notes that modern interpretation often seeks an unmediated encounter with the text, and then adds: “Both Keith Thomas and Charles Taylor trace it, in part, to the Reformation’s anti-sacramental impulses, which fed into the desacralizing of nature that seventeenth-century science and commerce eagerly promoted. The process accelerated through…

August 13, 2008

Another hermeneutical parable

For centuries, piano virtuosos had thrilled audiences with audacious performances of Liszt’s seventh Etude (in G minor, “Eroica”). Liszt scholars had written analyses of the music, and critics had compared various performances to one another and to what they believed was Liszt’s original intention for the music. An industrious Liszt…

August 13, 2008

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