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Creation

Maker of Heaven and Earth, (Part 4)

In my previous two posts, I looked at aspects of Psalms 93, 95, 96 and 98 that declare Yahweh, the divine King, to be the world’s own Creator. In my next post, I plan to argue that the creation theology of the sub-section constituted by Psalms 93-100 contributes to the…

by Stephen LongApril 23, 2015
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Otherness

Sexual Difference, Liberal and Christian

Ethika Politika has published a fascinating interview within which the French Catholic philosopher Fabrice Hadjadj discusses his recent work on the subject of sexuality. While there are many points where our lines of reasoning as Protestants will sharply diverge from Hadjadj’s, there is also much that is deeply perceptive in…

by Alastair RobertsApril 21, 2015
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Literature

Macbeth and the Fall of Adam

For anyone in Shakespeare’s audience who knew the real story of Macbeth, his play must have been surprising. Shakespeare changed so many important details of the historical Macbeth’s life that had Raphael Holinshed, the main author of the most popular history of the British Isles in Shakespeare’s day — Holinshed…

by Ralph Allan SmithApril 16, 2015
medievalilluminatedmanuscript
Creation

Maker of Heaven and Earth, (Part 3)

I started looking at a sequence of psalms on divine Kingship (Psalms 93-100) in my last post, part of a series looking at the Old Testament’s witness to Yahweh’s exercise of absolute mastery over his cosmos. I am not trying to “prove” a doctrine of creation ex nihilo directly from…

by Stephen LongApril 14, 2015
pearls
Anxiety

(Un)Holy Fear

Most of the time I believe that dread is wise, anxiety righteous, fear a holy thing. It sounds ridiculous, but bear with me. There are days when fear seems to be not only a rational response to my circumstances, but a moral duty. After all, being a grown-up means responsibility.…

by Leta SundetApril 11, 2015
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Psalms

Psalm 36 Commentary

Get the Psalm 36 Translation here Psalm 36 begins with several translation problems. First, the first word in the actual psalm, as it is found in the English text, is the word "oracle." This word also begins the second verse in the medieval Massoretic Hebrew text, which is our basic…

by James B. JordanApril 10, 2015

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Expression and content

Umberto Eco ( Limits of Interpretation ) criticizes Barthes’s notion that connotation occurs when “a sign function (Expression plus Content) becomes in turn the expression of a further content.” He argues that “in order to have a connotation, that is, a second meaning of a sign, the whole underlying first…

August 14, 2008

Fat Heart

Isaiah 6:10 says that Isaiah’s ministry will make the hearts of Israel “fat” and their ears “heavy” ( kabad ). The phrasing is unique to Isaiah 6, but the combination of heavy and fat conjures up Eli, who also was going blind. Isaiah 6 is a new Samuel, and like…

August 13, 2008
History

From Creator-creature to Subject-object

MH Abrams notes that at the heart of Romanticism was a transfer of Christian concepts into a new, subjectivist, context: “Much of what distinguishes writers I call ‘Romantic’ derives from the fact that they undertook, whatever their religious creed or lack of creed, to save traditional concepts, schemes, and values…

August 13, 2008

God-like Hirsch

Frank Lentricchia argues that there is “no unmediated historical knowledge,” and adds: “That is reserved for God, or for theorists like Hirsch who believe that objective knowledge can be acquired in a massive act of dispossessing ourselves of the only route to knowledge that we have: the historicized self. What…

August 13, 2008

Sacraments and texts

Roger Lundin notes that modern interpretation often seeks an unmediated encounter with the text, and then adds: “Both Keith Thomas and Charles Taylor trace it, in part, to the Reformation’s anti-sacramental impulses, which fed into the desacralizing of nature that seventeenth-century science and commerce eagerly promoted. The process accelerated through…

August 13, 2008

Another hermeneutical parable

For centuries, piano virtuosos had thrilled audiences with audacious performances of Liszt’s seventh Etude (in G minor, “Eroica”). Liszt scholars had written analyses of the music, and critics had compared various performances to one another and to what they believed was Liszt’s original intention for the music. An industrious Liszt…

August 13, 2008

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