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Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Leviticus

Savage Judaism

​Should anthropological categories and tools be applied to Judaism? Seems a narrow and academic question, of interest to maybe ten people on the planet. It's one of the many virtues of Howard Eilberg-Schwartz's 1990 ​The Savage In Judaism to show that the question is a central one in the origins…

by Peter LeithartMarch 10, 2014
Leviticus

Obsessed with Sex?

Christians are often accused of being obsessed with sexual sin. Why can't two people, of whatever sex, do whatever they please in the enclosure of their own room? Who is hurt if a guy wants to get off looking at tantalizing pictures and videos on his computer? What's the big…

by Peter LeithartMarch 5, 2014
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Mark

Binding and Loosing

“No one can enter a strong man’s house and plunder his goods, unless he first binds the strong man. And then he will plunder his house” (Mark 3:27 NKJV). Much commentary on the Revelation seems oblivious to its allusions to the Pentateuch (although there are many that do enlighten us…

by Mike BullMarch 3, 2014
Leviticus

Holiness, Ethics, Ritual

Leigh M. Trevaskis's 2011 monograph, Holiness, Ethics and Ritual in Leviticus , is an outstanding contribution to the study of Leviticus. His main thesis is directed at the world of Old Testament scholarship, in which there is a consensus that the ritual laws of Leviticus 1-16 come from a school…

by Peter LeithartMarch 1, 2014
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Hermeneutics

Joshua Typology

Richard Ounsworth begins his Joshua Typology in the New Testament with an excellent discussion of what he calls "ontological" typology, which he handily summarizes in four points. Typology involves "correspondences between real historical events, personalities, institutions, etc. described in scripture," a correspondence that is discerned (not created) by the reader…

by Peter LeithartFebruary 26, 2014
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Theopolis News

Book Release

Baylor University Press is sponsoring a reception to celebrate the official release of Peter Leithart's Gratitude: An Intellectual History . The reception will be held at the First Things offices in Manhattan on Thursday, March 6, at 6 PM. For more details, click here .

by Peter LeithartFebruary 26, 2014

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Expression and content

Umberto Eco ( Limits of Interpretation ) criticizes Barthes’s notion that connotation occurs when “a sign function (Expression plus Content) becomes in turn the expression of a further content.” He argues that “in order to have a connotation, that is, a second meaning of a sign, the whole underlying first…

August 14, 2008

Fat Heart

Isaiah 6:10 says that Isaiah’s ministry will make the hearts of Israel “fat” and their ears “heavy” ( kabad ). The phrasing is unique to Isaiah 6, but the combination of heavy and fat conjures up Eli, who also was going blind. Isaiah 6 is a new Samuel, and like…

August 13, 2008
History

From Creator-creature to Subject-object

MH Abrams notes that at the heart of Romanticism was a transfer of Christian concepts into a new, subjectivist, context: “Much of what distinguishes writers I call ‘Romantic’ derives from the fact that they undertook, whatever their religious creed or lack of creed, to save traditional concepts, schemes, and values…

August 13, 2008

God-like Hirsch

Frank Lentricchia argues that there is “no unmediated historical knowledge,” and adds: “That is reserved for God, or for theorists like Hirsch who believe that objective knowledge can be acquired in a massive act of dispossessing ourselves of the only route to knowledge that we have: the historicized self. What…

August 13, 2008

Sacraments and texts

Roger Lundin notes that modern interpretation often seeks an unmediated encounter with the text, and then adds: “Both Keith Thomas and Charles Taylor trace it, in part, to the Reformation’s anti-sacramental impulses, which fed into the desacralizing of nature that seventeenth-century science and commerce eagerly promoted. The process accelerated through…

August 13, 2008

Another hermeneutical parable

For centuries, piano virtuosos had thrilled audiences with audacious performances of Liszt’s seventh Etude (in G minor, “Eroica”). Liszt scholars had written analyses of the music, and critics had compared various performances to one another and to what they believed was Liszt’s original intention for the music. An industrious Liszt…

August 13, 2008

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