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Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Biblical Horizons

OPEN BOOK: Views and Reviews

Isaac E. Mozeson, The Word: The Dictionary that Reveals the Hebrew Sources of English (Northvale, NJ: Jacob Aaronson Inc., 1995), 310 pp. Reviewed by James B. Jordan. Once there was only one language in the world, the language God spoke to Adam. At the Tower of Babel, there came to…

by James B. JordanJune 28, 1996
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Esther

Esther: Historical & Chronological Comments (IV)

2. The Setting of the Book of Esther A. Xerxes (continued from previous issue) Ezra 6:14 says that the Jews finished building "according to the command of the God of Israel and the decree of Cyrus and Darius and Artaxerxes king of Persia." The problem with this verse is that…

by James B. JordanJune 28, 1996
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Acts

Jesus and Amalek

This essay goes with our previous study of the Amalek pattern back in Biblical Horizons No. 2. Since many do not have this essay, entitled "The Battle of Gog and Magog," let me cite the relevant paragraphs: Note in Genesis 12-15 that Abram moves into the land after escaping Pharaoh…

by James B. JordanJune 28, 1996
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Proverbs

The Strange Woman

Proverbs 7:6-23 is one of several passages early in the Proverbs in which Solomon warns his son about the wiles and dangers of the "strange woman." It is certainly quite proper to take these as straightforward warnings against sexual sins, and these are certainly warnings that need to be impressed…

by Peter LeithartJune 27, 1996
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Biblical Studies

Some Observations

1. In Luke 4:20 we read that after Jesus finished reading from Isaiah, "the eyes of all in the synagogue were fixed upon Him." This is usually taken in a psychological sense: They were amazed at Jesus somehow. I suggest that, as always, a merely psychological reading is a modern…

by James B. JordanMay 28, 1996
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Esther

Esther: Historical & Chronological Comments (III)

2. The Setting of the Book of Esther Up to now we have assumed what we must prove, that the king in Esther is Darius the Great. While Biblical chronologists have usually taken this position, commentators on the book of Esther have often taken others as the king. One view,…

by James B. JordanMay 28, 1996

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Expression and content

Umberto Eco ( Limits of Interpretation ) criticizes Barthes’s notion that connotation occurs when “a sign function (Expression plus Content) becomes in turn the expression of a further content.” He argues that “in order to have a connotation, that is, a second meaning of a sign, the whole underlying first…

August 14, 2008

Fat Heart

Isaiah 6:10 says that Isaiah’s ministry will make the hearts of Israel “fat” and their ears “heavy” ( kabad ). The phrasing is unique to Isaiah 6, but the combination of heavy and fat conjures up Eli, who also was going blind. Isaiah 6 is a new Samuel, and like…

August 13, 2008
History

From Creator-creature to Subject-object

MH Abrams notes that at the heart of Romanticism was a transfer of Christian concepts into a new, subjectivist, context: “Much of what distinguishes writers I call ‘Romantic’ derives from the fact that they undertook, whatever their religious creed or lack of creed, to save traditional concepts, schemes, and values…

August 13, 2008

God-like Hirsch

Frank Lentricchia argues that there is “no unmediated historical knowledge,” and adds: “That is reserved for God, or for theorists like Hirsch who believe that objective knowledge can be acquired in a massive act of dispossessing ourselves of the only route to knowledge that we have: the historicized self. What…

August 13, 2008

Sacraments and texts

Roger Lundin notes that modern interpretation often seeks an unmediated encounter with the text, and then adds: “Both Keith Thomas and Charles Taylor trace it, in part, to the Reformation’s anti-sacramental impulses, which fed into the desacralizing of nature that seventeenth-century science and commerce eagerly promoted. The process accelerated through…

August 13, 2008

Another hermeneutical parable

For centuries, piano virtuosos had thrilled audiences with audacious performances of Liszt’s seventh Etude (in G minor, “Eroica”). Liszt scholars had written analyses of the music, and critics had compared various performances to one another and to what they believed was Liszt’s original intention for the music. An industrious Liszt…

August 13, 2008

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