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Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Authority

Eldership and Maturity, (Part 2)

(continued from previous issue) Between 30 and 50 What did the Levites do between age 30 and 50? Numbers 4 shows us that they carried the house of God on their shoulders. Lifting up the Lord is an image of worship in the Bible, and David’s restructuring of the Levites…

by James B. JordanJuly 8, 1995
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Romans

The Great Hangover, Parts 1-2

When God created the world, He created two lands: the Throne-land of Eden (entered through the sanctuary-garden, the Garden of Eden), and the Outlying Lands, such as the lands of Havilah and Cush. This essentially bi-polar world is the world of the Old Creation, and it continued to exist until…

by James B. JordanJuly 5, 1995
Architecture

Concerning Colors, Architecture, and Sacraments

Color is inescapable, except for those who are color blind. In our church architecture, we either employ color schemes that are helpful to worship, or we employ color schemes that are not helpful. Of course, this assertion merely begs the question: What color schemes are most helpful. God showed interest…

by James B. JordanJuly 4, 1995
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Baptism

Jesus’ Baptism Into Priesthood

As I noted in an earlier article in Rite Reasons , the Church Fathers Tertullian, Ambrose, and Augustine all claimed that baptism inducts the baptized person into membership in the royal priesthood of the church, and Thomas Aquinas said that baptism, by imprinting an indelible “character” on the soul, confers…

by Peter LeithartMay 26, 1995
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Baptism

Renewing Circumcision

When the Aaronic priests were ordained, the blood of the ram of "filling” was placed on the lobe of the right ear, the right thumb, and the right big toe (Lev. 8:22-24). Similarly, the cleansing rite for a leper included smearing the right ear lobe, thumb, and big toe with…

by Peter LeithartMay 14, 1995
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Daniel

A Correction on Daniel 7

In my Preliminary Commentary on Daniel , which many of you have obtained, I argued in chapter 13 that the four monsters called up from the sea by the evangelistic work of the four winds (the saints) represented the deep hatred of God that evangelistic work brings to the fore…

by James B. JordanMay 7, 1995

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Expression and content

Umberto Eco ( Limits of Interpretation ) criticizes Barthes’s notion that connotation occurs when “a sign function (Expression plus Content) becomes in turn the expression of a further content.” He argues that “in order to have a connotation, that is, a second meaning of a sign, the whole underlying first…

August 14, 2008

Fat Heart

Isaiah 6:10 says that Isaiah’s ministry will make the hearts of Israel “fat” and their ears “heavy” ( kabad ). The phrasing is unique to Isaiah 6, but the combination of heavy and fat conjures up Eli, who also was going blind. Isaiah 6 is a new Samuel, and like…

August 13, 2008
History

From Creator-creature to Subject-object

MH Abrams notes that at the heart of Romanticism was a transfer of Christian concepts into a new, subjectivist, context: “Much of what distinguishes writers I call ‘Romantic’ derives from the fact that they undertook, whatever their religious creed or lack of creed, to save traditional concepts, schemes, and values…

August 13, 2008

God-like Hirsch

Frank Lentricchia argues that there is “no unmediated historical knowledge,” and adds: “That is reserved for God, or for theorists like Hirsch who believe that objective knowledge can be acquired in a massive act of dispossessing ourselves of the only route to knowledge that we have: the historicized self. What…

August 13, 2008

Sacraments and texts

Roger Lundin notes that modern interpretation often seeks an unmediated encounter with the text, and then adds: “Both Keith Thomas and Charles Taylor trace it, in part, to the Reformation’s anti-sacramental impulses, which fed into the desacralizing of nature that seventeenth-century science and commerce eagerly promoted. The process accelerated through…

August 13, 2008

Another hermeneutical parable

For centuries, piano virtuosos had thrilled audiences with audacious performances of Liszt’s seventh Etude (in G minor, “Eroica”). Liszt scholars had written analyses of the music, and critics had compared various performances to one another and to what they believed was Liszt’s original intention for the music. An industrious Liszt…

August 13, 2008

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