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Biblical Chronology

Jubilee (Part 2)

The Building of the Temple Solomon began work on the Temple in the second month of his fourth year. This was the year 2993, a sabbath year. He finished in the eighth month of his eleventh year, the year 3000, also a sabbath. (1 Ki. 6:1, 38). This is said…

by James B. JordanMarch 4, 1993
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Biblical Chronology

Jubilee (Part 1)

The Bible expresses its chronology not only in sequences of years, but also in sequences of sabbath years and jubilees. This enables us to make a cross-check of our chronology, and when we find apparent problems, to refine it. If our chronology is right, we should find some significant correlations…

by James B. JordanFebruary 4, 1993
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Biblical Studies

Adele Berlin, Poetics and Interpretation of Biblical Narrative

Adele Berlin, Poetics and Interpretation of Biblical Narrative Sheffield, England: Almond Press, 1983. This volume is the ninth in the "Bible and Literature Series" under the general editorship of David M. Gunn. According to its author, who teaches Hebrew at the University of Maryland, the book is an effort to…

by Peter LeithartJanuary 17, 1993
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Ruth

The Structures of Ruth

V. Propp’s classic work Morphology of the Folktale (University of Texas, 1968) argues that one of the basic structures of folk literature is "lack, lack liquidated." A king sets out to look for a wife, and the tale ends with a wedding. Often, the hero sets out on some business…

by Peter LeithartJanuary 17, 1993
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Luke

Second Samuel

Luke’s gospel begins and ends in the temple. It opens with Gabriel’s annunciation to the priest Zacharias (whose name, appropriately, means "Yahweh remembers") of the coming of a forerunner. Zacharias is performing priestly service at the time. The book ends with the joyful worship of a new priesthood in the…

by Peter LeithartJanuary 17, 1993
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Biblical Chronology

Problems With New Testament History

Last time we arrived at the year A.M. 3960 as the date for the inauguration of the New Creation through the death, resurrection, ascension, and session of Christ, and the sending of the Holy Spirit. We also saw that this is most likely the year of Paul’s conversion. Fourteen years…

by James B. JordanJanuary 4, 1993

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Expression and content

Umberto Eco ( Limits of Interpretation ) criticizes Barthes’s notion that connotation occurs when “a sign function (Expression plus Content) becomes in turn the expression of a further content.” He argues that “in order to have a connotation, that is, a second meaning of a sign, the whole underlying first…

August 14, 2008

Fat Heart

Isaiah 6:10 says that Isaiah’s ministry will make the hearts of Israel “fat” and their ears “heavy” ( kabad ). The phrasing is unique to Isaiah 6, but the combination of heavy and fat conjures up Eli, who also was going blind. Isaiah 6 is a new Samuel, and like…

August 13, 2008
History

From Creator-creature to Subject-object

MH Abrams notes that at the heart of Romanticism was a transfer of Christian concepts into a new, subjectivist, context: “Much of what distinguishes writers I call ‘Romantic’ derives from the fact that they undertook, whatever their religious creed or lack of creed, to save traditional concepts, schemes, and values…

August 13, 2008

God-like Hirsch

Frank Lentricchia argues that there is “no unmediated historical knowledge,” and adds: “That is reserved for God, or for theorists like Hirsch who believe that objective knowledge can be acquired in a massive act of dispossessing ourselves of the only route to knowledge that we have: the historicized self. What…

August 13, 2008

Sacraments and texts

Roger Lundin notes that modern interpretation often seeks an unmediated encounter with the text, and then adds: “Both Keith Thomas and Charles Taylor trace it, in part, to the Reformation’s anti-sacramental impulses, which fed into the desacralizing of nature that seventeenth-century science and commerce eagerly promoted. The process accelerated through…

August 13, 2008

Another hermeneutical parable

For centuries, piano virtuosos had thrilled audiences with audacious performances of Liszt’s seventh Etude (in G minor, “Eroica”). Liszt scholars had written analyses of the music, and critics had compared various performances to one another and to what they believed was Liszt’s original intention for the music. An industrious Liszt…

August 13, 2008

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