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Writing

Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Poetry

Seed-bearing Fruit

Ten-thousand ‘yeses’ and a single ‘no.’ From bough it dangles, beauty to the eyes, For belly, food, a fruit to make one wise. Too soon, they eat; they know; the leaves they sew, But, oh! the Love who asks, “Where did you go?” Confessions flow from under leaf’s disguise; A…

by Marc HaysAugust 16, 2023
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Augustine

Eternal Life Chiasm in John's Gospel

In his masterful work, De Doctrina Christiana , Augustine of Hippo writes: I would have learned men to know that the authors of our Scriptures use all those forms of expression which grammarians call by the Greek name tropes, and use them more freely and in greater variety than people…

by Doug PonderAugust 15, 2023
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Ruth

Lot, Ruth, and the Work of New Creation

“In accordance with the creation pattern, God sovereignly took hold of Adam and put him to sleep. Then God divided Adam by removing flesh and bone from his side, and restructured humanity into male and female. When Adam awoke, God distributed the woman to him. Adam gazed upon her and…

by Josh JensenAugust 8, 2023
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Culture

The Barbie Movie

Greta Gerwig’s new film, Barbie, has been criticized, probably rightly, for having too many ideas and layers to properly bring in any for a landing. Gerwig herself thought the script was so “ wild and anarchic ” that she was surprised WB agreed to make it. Many see it as…

by Robin HarrisAugust 1, 2023
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Matthew

Why Does John the Baptizer Look Like a Camel?

“Now John wore a garment of camel’s hair and a leather belt around his waist, and his food was locusts and wild honey” (Matt. 3:4). Why is John the Baptizer clothed with camel’s hair? Why does he want to look like a camel? Or at least: what does he expect…

by Jeff MeyersJuly 26, 2023
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Literature

Stinking, Rotten Ministers of the Gospel

In the second greatest story ever told, The Brothers Karamazov , Fyodor Dostoyevsky tells the story of a family plagued by the lasting legacy of sin’s destructive power and the all-surpassing truth that God is Light and in Him is no darkness. The young protagonist, Alyosha, is a monk committed…

by Garrett SoucyJuly 18, 2023

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Expression and content

Umberto Eco ( Limits of Interpretation ) criticizes Barthes’s notion that connotation occurs when “a sign function (Expression plus Content) becomes in turn the expression of a further content.” He argues that “in order to have a connotation, that is, a second meaning of a sign, the whole underlying first…

August 14, 2008

Fat Heart

Isaiah 6:10 says that Isaiah’s ministry will make the hearts of Israel “fat” and their ears “heavy” ( kabad ). The phrasing is unique to Isaiah 6, but the combination of heavy and fat conjures up Eli, who also was going blind. Isaiah 6 is a new Samuel, and like…

August 13, 2008
History

From Creator-creature to Subject-object

MH Abrams notes that at the heart of Romanticism was a transfer of Christian concepts into a new, subjectivist, context: “Much of what distinguishes writers I call ‘Romantic’ derives from the fact that they undertook, whatever their religious creed or lack of creed, to save traditional concepts, schemes, and values…

August 13, 2008

God-like Hirsch

Frank Lentricchia argues that there is “no unmediated historical knowledge,” and adds: “That is reserved for God, or for theorists like Hirsch who believe that objective knowledge can be acquired in a massive act of dispossessing ourselves of the only route to knowledge that we have: the historicized self. What…

August 13, 2008

Sacraments and texts

Roger Lundin notes that modern interpretation often seeks an unmediated encounter with the text, and then adds: “Both Keith Thomas and Charles Taylor trace it, in part, to the Reformation’s anti-sacramental impulses, which fed into the desacralizing of nature that seventeenth-century science and commerce eagerly promoted. The process accelerated through…

August 13, 2008

Another hermeneutical parable

For centuries, piano virtuosos had thrilled audiences with audacious performances of Liszt’s seventh Etude (in G minor, “Eroica”). Liszt scholars had written analyses of the music, and critics had compared various performances to one another and to what they believed was Liszt’s original intention for the music. An industrious Liszt…

August 13, 2008

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