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Matthew

What Tune is Playing? (Matthew 11:1-19)

Matthew’s gospel is a replay of Israel’s history, and this replay occurs at two different levels. On the one hand, Jesus relives Israel’s history and does it faithfully. He is the Son, the true Israel, called out of Egypt, baptized in the sea, tempted in the wilderness. He is the…

by Peter LeithartJanuary 14, 2014
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Theopolis News

Constantine, Christendom, Christian Renewal

Trinity House President Peter Leithart will deliver two lectures at the Eighth Day Institute annual conference in Wichita, Kansas, January 16-18. The conference theme is "Constantine, Christendom, and Christian Renewal," and Dr. Leithart will be lecturing on Constantine. Dr. Leithart will preach on Sunday, January 19, at Trinity Covenant Church…

by Peter LeithartJanuary 13, 2014
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Matthew

Treasures in Matthew's Genealogy, 2

In the previous article, we considered the life of Abraham up to the birth of Isaac and the way in which his life up to that point foreshadows later redemptive history. Our reason for this consideration was at the Gospel of Matthew's behest. He pointed us in that direction. He…

by Kelly KerrJanuary 9, 2014
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Theology

The Trinity and the Nations, 3

The Spirit of Speech The last period in Israel’s history arrives almost from nowhere. The prophets appear unannounced, give short, but earth-shattering messages and then are whisked away by the Spirit (1 Kings 18:12). They do not hold high positions in Israel, but their words give them great political sway.…

by Brian MarrJanuary 7, 2014
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Theopolis News

Nevin Lectures

Trinity House Institute is delighted to announce our first annual series of Nevin Lectures. Timothy George, Dean and Professor of Church History at Beeson Divinity School, will deliver four lectures on “Sacramental Theology from a Baptist Perspective” on February 7-8, 2014 at Trinity Presbyterian Church in Birmingham, Alabama. More information...…

by TheopolisJanuary 2, 2014
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Revelation

Him Whom They Pierced

Revelation 1: 7 states the theme of Revelation. It is a self-standing verse, beginning and ending with “Amen” (the “Amen” at the end of verse 6 should be taken as the beginning of the statement in verse 7). A double Amen as a double witness, and it becomes a threefold…

by Peter LeithartJanuary 1, 2014

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Cultural function and meaning

Finally getting around to Jorge Gracia’s Theory of Textuality . It’s got a lot of strengths. Gracia recognizes the strengths and weaknesses of various theories of textual meaning, and sensibly tests theories by their ability to explain our actual experience of texts. Postmodern diffusion can’t explain the fact of daily…

August 7, 2008

Our Father

Considering the plural pronoun at the beginning of the Lord’s Prayer, Chrysostom says that it announces a moral and social revolution: “by this He at once takes away hatred, and quells pride, and casts out envy, and brings in the mother of all good things, even charity, and exterminates the…

August 6, 2008

Players and Lutes

Athenagoras condemns worship of the creation using a musical analogy ( A Plea for Christians ): “If therefore the world is an instrument in tune, and moving in well-measured time, I adore the Being who gave its harmony, and strikes its notes, and sings the accordant strain, and not the…

August 6, 2008

Reasonable body

Gregory of Nyssa explains in On the Making of Man that the human body is like a musical instrument, designed for reason. This is itself a striking image, but Nyssa expounds on the analogy by looking at the specific contours of the human body. The passage reminds me of Leon…

August 6, 2008
Theology

Gospel Music

Clement of Alexandria begins his Exhortation to the Heathen by reviewing various myths about music, and then introduces the gospel as God’s new song. By the time he’s done, he’s told the history of the world musically: “Behold the might of the new song! It has made men out of…

August 6, 2008

Not Saussure, cont’d

In his study of children’s literature ( Stars, Tigers, and the Shape of Words ), JH Prynne mounts a critique of Saussure designed to show that “the methodology of practical literary criticism habitually contradicts Saussure’s theory of language by assuming that acoustic or graphic properties of the sign do contribute…

August 5, 2008

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