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Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Children

Honor God With Your Body

I am making a new rule in our house! We are actually kind of skimpy on the house rules. I try very hard to keep things simple: love God, love others, be joyful. It’s not complicated to avoid discipline here. But I have found myself repeating this new rule over…

by Lindsey TollefsonApril 9, 2015
giotto-noli-me-3
John

The Gardener and the Beloved, (Part 3)

Click HERE for Part 2 The voice of Jesus transforms and changes Mary when she hears him speak her name. This is her last “turning.” So also the woman in the Song of Songs longs to hear the voice of her beloved. Let me see your face, let me hear…

by Jeff MeyersApril 6, 2015
giotto-noli-me-2
John

The Gardener and the Beloved, (Part 2)

Click HERE for Part 1. The details of this story call the attentive reader back to the drama of Solomon’s Song of Songs. And the Song of Song’s alludes to, ties us into the story of Adam and Eve in the Garden and the promise of a coming Messiah that…

by Jeff MeyersApril 4, 2015
easter-term-2015-2
Theopolis News

Easter Term, 2015

“The course was a paradigm shift for me,” said Jonathan Sedlak, a Milwaukee electrical contractor who attended Theopolis’s course on Revelation. “I am left with a book that is far more practical than it has ever seemed before.” Jonathan Anderson of Louisville, Kentucky found the course “refreshing.” “I finished with…

by TheopolisApril 2, 2015
psalm-singing
Genesis

Worship as Response: Liturgical Logic, (Part 1)

“It is only by participation in a rational, practice-based community that one becomes rational.” – Alasdair MacIntyre It may be perfectly clear to a chef why adding unsifted powdered sugar to a hot frosting is a bad idea. But for an amateur cook, this may be the kind of rule…

by Jonathan BarlowApril 2, 2015
giotto-noli-me
John

The Gardener and the Beloved, (Part 1)

On a fresco in a chapel in Padua, Italy, there is a famous painting depicting the dramatic post-resurrection scene in John 20 with Mary and Jesus outside of the garden tomb. Giotto di Bondone painted it in the early 14th century. Jesus is striding from the tomb with a victor’s…

by Jeff MeyersApril 1, 2015

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Theology

Barthes’s transcendental argument

That’s Barthes not Barth. As in Roland. Prickett suggests that Barthes’ proclamation of the death of the author, his manumission of interpretation from the obsession with the limited, final, “secret” meaning, and his hope for a liberated “anti-theological” and “revolutionary” reading that refuses “to fix meaning” in fact opens the…

August 5, 2008

Conservatism of Poststructuralism

Poststructuralism likes to think itself radical, but Stephen Prickett (Words and the Word) points out that it excludes the possibility of novelty. Barthes says that a text is “a tissue of quotations drawn from the unnumerable centres of culture.” And Kristeva’s notion of intertextuality, on Prickett’s reading, encloses a text…

August 5, 2008
Literature

Novelistic language

A few highlights from James Wood’s chapter on language in How Fiction Works . Early on, he mentions the “old modernist hope” that prose can be “as well written as poetry.” This will require readers and novelists to develop what Nietzsche called a “third ear”: “We have to read musically,…

August 4, 2008
Literature

Bad Books

Lewis remarks on the high difficulty of adverse criticism, noting that the difficulty lies partly in the fact that the defects of bad literature are found in good literature: “The novel before you is bad - a transparent compensatory fantasy projected by a poor, plain woman, erotically starving. Yes, but…

August 4, 2008

Terms of abuse

Lewis describes the process by which words that once expressed and aroused emotions by appealing to the imagination have been emptied of image-content and become purely emotional. “Damn you” used to be a real curse, because people believed in damnation. Now that fewer do, it’s a more or less purely…

August 4, 2008

Limits of language

In Lewis’s defense, he is trying to explain some of the limits of language, which are worth noting (this in the last chapter of Studies in Words ). One limitation has to do with language’s inability “to inform us about complex physical shapes and movements. Hence descriptions of such things…

August 4, 2008

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