Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
For Part 1, click HERE . How did Paul’s earliest commentators view his juxtaposition of music and drunkenness, and did they connect it to the ancient Greek ideas of musical ethos described in Part I? Origen, one of the earliest commentators on Paul, writes about Ephesians 5:18-19: One, however, who…
Perhaps it is because I am a musician that I have always found Ephesians 5:18-19 so arbitrary. But isn’t it a little odd to contrast music and drunkenness? Perhaps it is not obvious that that is what Paul is doing; I know, for myself, that it is remarkably easy to…
In 1 Corinthians 7:12-16 Paul deals with how the Corinthian Christians are supposed to be relating to unbelieving spouses. He essentially tells them, “Look, if your unbelieving spouse is willing to stay with you as a faithful Christian, don’t initiate a divorce. If he/she wants to leave you, let him/her…
For Part 1, click HERE . Those who focus on the supposed “pacifism” of Jesus and condemn the violence of God’s judgments throughout the Old Testament overlook the ministry of sacrificial bloodshed as an alternative to human bloodshed. The sword bearing of the sacrificial system was introduced to avoid the…
How should a Christian respond to the objection that the Bible, like the Koran, is a book of violence and bloodshed? Numerous answers have been offered by well-meaning exegetes, but none of them gets to the heart of the matter: God desires to place a sword in the hands of…
Beginning this summer, Dr. Alastair Roberts will join the Theopolis Institute as an adjunct Senior Fellow, the Institute has announced. Dr. Roberts will be a regular on the Theopolis podcast, teach intensive courses and in the Fellows Program, and help develop new programs and outlets. Roberts earned his PhD from…
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A pure heart is one that is not contaminated by base motives. It is a undivided heart. 50,000 of the sons of Zebulun were in David’s army, and they “could draw up in battle formation with all kinds of weapons of war and helped David with an undivided heart” (1…
Samuel Johnson says that “all appropriated terms of art should be sunk in general expressions, because poetry is to speak a general language.” Barfield disagrees: “Johnson was hopelessly wrong.” What poets do above all is express things in terms that are not general: “They express, as nearly as any word…
Barfield thinks it’s disastrous to oppose poetry and science “as two fundamentally opposite modes of experiencing Life.” Among other things, it spoils art: “For it leads straight to that Crocean conception of art as meaningless emotion - as personal emotion symbolized - which is so poisonous in its charter to…
Barfield responds to critics who charge that his attention to individual words “is a precious and dilettante kind of criticism.” He says “the reverse is the truth” and further argues that “Words whose meanings are relatively fixed and established, words which can be defined - words, that is, which are…
Guy de Maupassant says, “Les mots ont une ame . . . . Il faut trouver cette ame qui apparait au contact d’autres mots” (Words have a soul . . . . It is necessary to find this soul which appears at contact with other words). Owen Barfield, who quotes…
Hamann opposed the abstractionism of the Enlightenment partly by emphasizing the centrality of sexuality in language, experience, and thought. He called himself a “spermatologist” in the sense that he was sowing seeds and in the sense that the thought of the relation of revelation and reason in sexual terms: “our…
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