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Writing

Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Biblical Chronology

Meredith G. Kline Strikes Back, Part 2

In our first essay we looked at Kline’s flawed exegesis of Genesis 2:5 as it relates to Day 3 of creation. Now we turn to Kline’s new argument against a chronological reading of Genesis 1, as found, again, in "Space and Time in the Genesis Cosmogony," Perspectives on Science and…

by James B. JordanMarch 29, 1997
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Hermeneutics

Bathsheba: The Real Story

One of the advantages of paying very close attention to the details in the Bible, especially chronological and genealogical details, is that they can shed light on situations that don’t seem to make much sense apart from them. One such situation is that of Bathsheba. It appears that Bathsheba willingly…

by James B. JordanMarch 28, 1997
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Church Calendar

Is the Church Year Biblical? | A Parking Lot Parable

Once upon a time, Jeff Meyers and Tony Rollins–old friends who had not seen each other for a few years–met in the parking lot of a neighborhood church. They were dropping off their pre-school children at the church for Mother’s Day Out. They were such conscientious and helpful fathers. As…

by Jeff MeyersMarch 20, 1997
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Daniel

The Allegory of Susanna

Years ago, when I was at the briefly-existing Geneva Divinity School, I taught a course in the Apocrypha. One thing that struck me at that time is that two of the stories are almost certainly religious allegories (as well as moral tales): Judith and Susanna. Since "Susanna" means "Lily," this…

by James B. JordanFebruary 28, 1997
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Biblical Horizons

A Blossom of Yahweh’s Field

Peter’s essay inspires me to write up some similar thoughts about the flower of the field. Rightly does Peter associate the almond with Yahweh’s garden, because the Garden of Eden is symbolically positioned as parallel to the Holy Place of the Tabernacle and Temple. To wit: Since Aaron’s rod blossomed…

by James B. JordanFebruary 28, 1997
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Biblical Chronology

Meredith G. Kline Strikes Back, Part 1

We have had occasion to discuss the views of Meredith G. Kline previously in these newsletters, and now it is time to do so again. Kline teaches at Gordon-Conwell Theological Seminary and also at the Westminster Theological Seminaries (Philadelphia and San Diego). He is the author of some interesting insights…

by James B. JordanFebruary 28, 1997

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Eucharistic meditation

Matthew 15:27: She said, Yes, Lord; but even the dogs feed on the crumbs which fall from their masters’ table. We don’t belong at this table. I’m not referring here to the fact that we are all sinners who aren’t worthy to be considered our Lord’s table companions. That’s true,…

July 6, 2008

Baptismal meditation

Matthew 15:22: A Canaanite woman came out from that region, and began to cry out, saying, Have mercy on me, O Lord, Son of David; my daughter is cruelly demon-possessed. What is baptism? What is it for? Why do we baptize infants? There are many answers to that, and throughout…

July 6, 2008

Worship service

In Matthew 15:29-31, Jesus moves back from the region of Tyre and Sidon to the sea of Galilee. He goes on a mountain and sits down. He has been on mountains a number of times already to do various things. Most recently, he ascended to a mountain to pray as…

July 5, 2008

Proverbs 22:8-16

PROVERBS 22:8 Solomon uses agricultural imagery to describe realities of life. Like Paul and Jesus, he says that we reap as we sow. Our actions are always a kind of planting. We are always sowing seed that will come to fruition later on. If we sow righteousness, we will reap…

July 3, 2008

Defending the incarnation?

The iconodules staked their argument on the incarnation, but Besancon notices that after the iconoclast controversy, figures in icons became less carnal rather than more: “In the few primitive icons, which come for the most part from Egypt . . . , Christ or the saints have stocky, thick-set, vigorous,…

July 2, 2008
Art

Reverse perspective

In his history of iconoclasm ( The Forbidden Image ), Alain Besancon describes some of the artistic features of Russian iconography: “Nature is stylized in such a way that trees, rocks, and houses defy gravity. The buildings are not represented within a unified space: each floats in its own perspective.…

July 2, 2008

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