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Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Biblical Horizons

2001: A Space Odyssey

In the November 1993 issue of Open Book Peter Leithart commented briefly on gnosticism. The film 2001 is a great specimen of gnosticism, and is worth viewing as a Sunday School project for an adult class. The author of the basic story was Arthur C. Clarke, an old-school science fiction…

by James B. JordanJanuary 6, 1994
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Biblical Horizons

Two Films by Alfred Hitchcock

Alfred Hitchcock’s earlier movies display a strongly moral, even Christian, point of view, and certainly can be enjoyed by Christian viewers. His later works, such as Psycho , The Birds , and his television series, are not as clearly moral in tone. In these later efforts, Hitchcock brought humorous or…

by James B. JordanJanuary 6, 1994
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Leviticus

Cult and Communication

“What art thou, thou idol ceremony?” asked Henry V during his midnight rounds of the English camp near Agincourt. His answer was that ceremony was both nothing and everything. It was nothing in the sense that it offered no guarantee that the king would be fit for office. Contrary to…

by Peter LeithartDecember 20, 1993
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Biblical Studies

Which Sacred Writings?

You, however, continue in the things you have learned and become convinced of, knowing from whom you have learned them; and that from childhood you have known the sacred writings which are able to give you the wisdom that leads to salvation through faith which is in Christ Jesus. All…

by Peter LeithartDecember 20, 1993
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Biblical Horizons

The Production of the New Testament Canon: A Revisionist Suggestion

My research has led me to the conviction that there are three major periods of Biblical history, which lead to a fourth. These are the Ages of the Father, the Word, and the Spirit. The First Age, that of the Father, is recorded in the book of Genesis. It focuses…

by James B. JordanDecember 6, 1993
Exodus

Egypt in Biblical History

Both Bible history and the current consensus chronology of the ancient world are tied up intimately with Egyptian history and chronology. Thus, as we broaden Biblical Chronology beyond the matter of adding up numbers and try to integrate Biblical chronology with the ancient world, the place to start would seem…

by James B. JordanDecember 6, 1993

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Eucharistic meditation

Matthew 15:27: She said, Yes, Lord; but even the dogs feed on the crumbs which fall from their masters’ table. We don’t belong at this table. I’m not referring here to the fact that we are all sinners who aren’t worthy to be considered our Lord’s table companions. That’s true,…

July 6, 2008

Baptismal meditation

Matthew 15:22: A Canaanite woman came out from that region, and began to cry out, saying, Have mercy on me, O Lord, Son of David; my daughter is cruelly demon-possessed. What is baptism? What is it for? Why do we baptize infants? There are many answers to that, and throughout…

July 6, 2008

Worship service

In Matthew 15:29-31, Jesus moves back from the region of Tyre and Sidon to the sea of Galilee. He goes on a mountain and sits down. He has been on mountains a number of times already to do various things. Most recently, he ascended to a mountain to pray as…

July 5, 2008

Proverbs 22:8-16

PROVERBS 22:8 Solomon uses agricultural imagery to describe realities of life. Like Paul and Jesus, he says that we reap as we sow. Our actions are always a kind of planting. We are always sowing seed that will come to fruition later on. If we sow righteousness, we will reap…

July 3, 2008

Defending the incarnation?

The iconodules staked their argument on the incarnation, but Besancon notices that after the iconoclast controversy, figures in icons became less carnal rather than more: “In the few primitive icons, which come for the most part from Egypt . . . , Christ or the saints have stocky, thick-set, vigorous,…

July 2, 2008
Art

Reverse perspective

In his history of iconoclasm ( The Forbidden Image ), Alain Besancon describes some of the artistic features of Russian iconography: “Nature is stylized in such a way that trees, rocks, and houses defy gravity. The buildings are not represented within a unified space: each floats in its own perspective.…

July 2, 2008

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